According to the research conducted by (K.MURUGAN & SUMITHA, 2006), it is reviewed
that the compositional approach in the performance project divides the system
into subsystems that can be modeled with no trouble and alsosmaller in size. In
this article, a compositional approach novel for the modeling of the
performance is offered. This approach depends on a rightfullyimprovedalgebra process
and the process performance evaluation algebra. The compositional language is
also likely toprovideprofit for the solution of the model and model building.
An operational semantics is provided for performance evaluation process algebra
and its employ to produceafundamental Markov process for someperformance
evaluation process algebra model is demonstrated and explained. The
simplification of the model and aggregation of state space have been planned as
resources to undertake the problems for themodels of large performance. These are
also said to be the method are accessible in terms of equivalence notions
between the entities of themodeling [1].
According to the research conductedby it is
reviewed that in the performance project the framework is built for analyzing
such equivalence notions and it clarifies how the dissimulationrelationshipsbuilt
for algebras process fit in the framework. There are said to be four different
equivalence relations for performance evaluation process algebra, 2 structural
and 2depends on bisimulation, are considered and developed inthe framework. For
each correspondence the insinuation for the fundamentalprocess ofMarkov are deliberate
and its possible use as the baseof a technique of the model generalization is the
charge. There are about 3 of these equivalences are given away to be congruencies
and all are balancing to compositional models nature considered. In the case of the performance project their inherent
interest from analgebra process perspective, all of these equivalence notions
is also established to be helpful in a context of the performance modeling [1].
Post dramatic Method’s critical
assessment
The basic and ultimate characteristics of
the post-dramatictheatre make it's a new turn and a fine change in the
conventional hierarchy of drama performance and drama texts. While the dramais seen
as the pre-text written drama that is the origin for the performances going to
be shown in the theaters. While opposite to this, the text(basically the written
dialogues and sentences of drama) spoken by the performer on the theater stage—,
or hand written drama text, or shown in a mechanical way, or projected —seems like
the only one part of the Tobe theatrical whole. In accordance with the views of Lehmann: “In post dramatic forms of theatre, staged
text (if the text is staged) is merely component with equal rights in a gastric,
musical, visual, etc., total composition” (2006). The approach presented by
Lehmann outspreads the significant range of ‘the-atrial texts” potential. In
fact similar to the dramas, other texts as novels, essays, screenplays,
and diaries, are known as ‘pre-text’ for the theater’s productions
(Lehmann, 2006). Thus the text is approaching to only basic written drama material.
According to the research
conductedby [2], it is
reviewed that definitely,adaptation has significant vital role in the post-
dramatic specific work processes. Lehmann in his book has given very minor
importance to the processes. Nevertheless, a plausible hypothesis can
be known as the hypothesis thatthe artistic methods are not all the
same but in fact varies equally in a fundamental manner from the methods of
classical rehearsal as the resulting productions are not same but different [2]. Somehow,
there are also chances of ambiguity,heterogeneity;multiple codes; pluralism
performer;discontinuity; non-textuality; subversion performer;
protagonist; as themes and deconstruction deformation that requires to
consider the text qualities as authoritarianism and archaic.
However, starts of the linear
model are linked withdrama text creation. The linear model can be considered as
the most commonly followed and adopted the model in the process of drama
creation. The creative and innovative processes of post dramatic theatre, in
opposite to this, usually own lessbut significant linear development in the
drama [2]. In case a text going
to be used, more often it is the recreated and rewritten text
for rehearsal process through the use cutting, montage, copy/paste, and
sampling. Particularly, new media support in the writing process as the
montage technique use. We may get more examples regarding this while reading
the adaptation strategies presented by the Luk Perceval.
Frameworks and Conceptual Understandings
According to the research
conducted by (Broadbent & Laughlin, 2006),
findings present that project output and performance are reflected by the development
of the conceptual framework.It covers a broad literature review particularly
the review of the books and journal articles. Somehow, in this process, the
things were teased that can draw negative influence and effects on the outcomes
and performance. In accordance with the Literature, three important factors are
there that can draw effect on the project outcomes and project performance,
such as the culture of the organization, project manager and the overall
culture of the project management [3].
Some most common and most relevant elements regarding the culture of the
organizations can be identified as artifacts, leadership, norms, and values.
While opposite to these commonelements related to the culture of the project
management is a communication system, strategic emphasis, project review, PM
methodology, stakeholder’s commitment, top management support, and learning [3].
Project managers also influence
the overall performance, common elements and aspects related to themare
leadership style, skills, self-sufficiency, and capability. Appropriate
development of the conceptual framework provides a clear understanding of the
connection between these three (disused above) factors. Conceptual framework
develops the relationship in all these factors in a logicalmanner that ensures
the success of the project. In thisresearch, the paper focus is on the
conceptual framework development that also proposes various inquiry lines that
can be researched further through reviewing relevant information in the
literature. Here the conceptual framework is highly recommended to the police
of Abu-Dhabi for the purpose of promoting improvement in their outcomes and
performances related to the projects. [3].
According to the research
conductedby Munby, Carroll, and Giles,it
is reviewed that aconceptual framework is being created for the purpose to
takethe analysis of theconcept of equivalence and to explain relations ofbisimulation
developed for the purpose of algebras fit process within the relevant
framework. There are four different relations of equivalence concerned with the
PEPA, 2 bisimulation and 2 structural relations are considered in the
framework. For each equivalence from these four, the underlying Markov process
implications are studied and techniques of model simplifications are analyzed.
While three from the four conceptual frameworks arethe equivalences that relate
to the congruence's and considered ascomplementary for themodels having compositional
nature [3].
In accordance with the research
held by the Munby, Carroll, and Giles, in 2013 it
is concluded that process algebra perspective having intrinsic interest, each
concept has significant importance regarding performance modeling context. The
equational laws are generated by the isomorphism and structural equivalence
that forms the basis for the techniques of model transformation.This is not
enough strong for defining the weak isomorphism. While the equivalence,
collectively with the PEPA abstraction mechanism’sjudicious use, the
fundamental simplification techniques for the model, and all the given certain
insensitivity conditions have sustained satisfaction level.The Strong
bisimilarity can bring changes in the components of models as can promote the
replacement of components that usually have the same apparent behavior in the
model. While there is no clear relationship underlying between the Markov
Process and the Bisimilartiy. [3].
References of Perform on Stage in Post dramatic Way
[1]
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K.MURUGAN and V.
SUMITHA, "CHANGES IN TTIE CHEMICAL COMPOSITION AND POLYPHENOL OXIDASE,
PEROXIDASE ACTIVITIES ASSOCIATED WITH FRUIT DEVELOPMENT AND RIP.ENING rN
CAPSTCUM AA rutrM L. VAR. IWALAMUKHI," J. Phytol. Res, pp. 7l-76,
2006.
|
[2]
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H. T. Lehmann, Postdramatic
Theatre, Routledge, 2006, p. 224.
|
[3]
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K. J. Munby, J.
Carroll and S. Giles, Postdramatic Theatre and the Political: International
Perspectives on Contemporary Performance, A&C Black, 2013, p. 256.
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