The Comparative Role of Interior Design and Fashion Design in promoting Modern Trends

Literature Review of The Comparative Role of Interior Design and Fashion Design in promoting Modern Trends

Interior Design, many organizations have included interior design in their area of ​​responsibility, the precise depiction and professionalization of interior design has followed that of additional areas of design. Rowan Roenisch, Moch, and Hazel Conway recommended that this could be because interior design refers to a lot of diverse areas of design and involves the work of architects, they have a sense of interior design, engineers, builders, carpenters, fabric designers, fine artists, and furnishings designer. Historically, interior design has played a marginal role in the educational chain of command in a field of the feminized act and plays an inferior role in requisites of architecture. As explained earlier, this special edition uses a broad definition of interior design to facilitate the study of these interdisciplinary and linked relationships with fashion design (Azuma, & Fernie, 2003).

In literature history, the Development of Design that started in practices from Australian Interiors, they examined the interior design in 1880 – 1900. At the start, they also focused and examine the interfaces between fashion design and interior design in a developing market. In the world of interior design, Australia has a professional infrastructure that differs from legacy colonial models. Penny Sparkes is the brand that well known. The connections between the Developments of the Two professions in France and the United States in the behind 19th and Early 20th Century - A Historiography investigation offers a comparative analysis of the development of interior design and fashion design as highly interconnected disciplines. However, when pursuing and developing professional standing, the interior design world minimized it's interdisciplinary and put more emphasis on its specificity. Literature advocated that Nancy Vincent wrote, "Nancy Vincent McClelland (1877-1959): Professionalization of interiors at the beginning of the 20th century", Bridget May clarified the following: "A proper and well-recognized definition of the expert which covers the necessary knowledge and fields for examining a means of setting limits and responsibilities for proficiency and military."In another place, Sparke distinguished that after World War II, the interior design originated from Australia and as well as it has a connection with fashion design, nowadays it has become a specialty of professional design (Murphy & Zabojnik, 2004).

The fact that fashion and interior decorations are considered feminine work is an ingredient of their union. They are involved in public representation, and Penny Sparks confirms this hypothesis with some past and chronological order for France and the United States in their donation to this special version. The usually female fields of action and the put into practice of women's design have only slowly gained professional recognition in other fields of design (Lees-Maffei, 2008).

"From 2019 we will see how people use the fifth wall - the ceiling has been ignored for too long! From wallpaper to shapes and bold colors, the ceiling will be the place where people take risks and in their rooms a "Wow- Moment" to create (Jacobs, 2007).

However, all design terms include creative apparition or mental picture of concepts, strategy and thoughts; and presenting these ideas (in the form of sketches, plans, models, or prototypes) to give instructions for creating amazing that did not survive earlier than or in that appearance. Aubert (1982) explained design as "the heart of innovation, the moment when a new object is presented, designed and shaped in the form of a prototype". Somewhere else, he says that interior and fashion design introduces knowledge into the community fabric (Aubert, 1985). Still, nearly everyone knows basic technical innovation must be embodied in a form that can be used throughout the design process. However, some new products are designed, in the beginning, but do not involve any technical change. Let's take a look, for instance, the new design of an object or a body, or a new model on a toaster or the arrangement of the wheel on a range (Turker, & Altuntas, 2014).

Fashion design has described as creating "non-innovative novelties" (Piatier, 1986). For every person, the concept of design is different, like different people inside and outside the firm have different perspectives on design. The designers can see their work regarding new fashion in terms of imagination and creativity. Managers can examine the work of designers that are working for their firm to make unique and differentiating their stuff from those of their competitors in the market, prompting these stuff that people must like buy for themselves during a slump (Rantisi, 2004).

For consumers, the purpose of interior design can be the formation of new unique styles, fashions, and descriptions. It improves the stuff as they feel relaxed and easier to use, more durable or like energy-efficient; just to allow something that was not possible earlier. Strategic management can see the utility of design as an added worth; increase the competence of manufacture when using resources and power and make higher proceeds. Some of these differences lead to conflict: the fashionable might feel controlled by the managers on commercial criteria. There is a well appropriate line between the designer and fashion that teaches the client that what is beautiful and suits them or not.

The designer always stands between the customer and the producer. Literature advocated that in the world of design and fashion Mangematin (2015) describes how new customers are "attracted" by the manufacturer in a certain class conflict than competing with each other. 

Akrich (1992) stated that interior design and fashion design illustrated user depiction and how it is developed when designing a technological product, not only by open techniques but also based on the fashion designer's personal experiences and conception or we can say assumptions. Various authors made similar scrutiny in their studies. This phenomenon applies mutually to the details of the stuff purpose and to the general thought or design of ​​which kind of client is the aim for which type of manufactured goods. There are many understood assumptions of designers about what works for certain client groups, which may reflect both their biases and measured marketplace demand (Buhl, 1990).

Modern Trends in Interior design and Fashion design

The Danish Lego building toy is intended for boys and girls, although British products (partially) competing with Meccano and Airfix were deliberately not intended for girls before the company went bankrupt in 1981. Bureau is meant at buyers (typically men) to a certain extent than actual users (typically women). City centers are scattered with architectural disasters that were originally hailed, as creative means of as long as mass housing for the operational class, at least in part because the future users were the most recent to be asked about their needs (McRobbie, 2003).

In the fashion world, the way design or new styles are resolute by an inherent interaction between style and regional ecological factors that have radically changed to reach the governance of worldwide fashion free enterprise. The occurrence that first appeared in the 1960s made fashion a form of manufacturing goods. A great clothing company and electricity traders more and more focal points to integrate the natural world of cost management and time density through several modern operating functioning in the offshore developed field. Due to diverse trends towards the regional level as well as the global level the offshore supply series is more and more able to integrate the current merchandising trend and thus deliver the stuff to the right put and particularly at low prices (Fernie, 2017). Regardless of the homogeneity of style creations resulting from this occurrence, the bulk of customers are pleased with the improvement in the ease of use of way at affordable prices. However, the outsourcing of fashion developed abroad by developed countries has accelerated the style in national industrial zones, which are made up of a large integer of a networked home manufacturer, in many countries. While attractive in a supply area that is one of the sources of the aesthetic plan, they are in danger with destruction in the face of such a great change in the interior and fashion industry (Okonkwo, 2016). 

There are various trends in fashion design that are emerging nowadays.

Retrospection: With the significance of digital expertise and the life sciences growing in importance since the early 1990s, attention in person natural world and the unscientific aspect of the earth. The custom and inheritance handed down from the start have been re-examined and their value rediscovered. The viewpoint of Modernism looked at the past instead of carrying out innovative experiences. A typical trend image of the subject "exam" is a combination of past and current styles (McKelvey, & Munslow, 2011).

Cosmopolitanism: Cosmopolitanism has strived for global "universality" further than a state or area. He has contributed considerably to shaping a global way of life for global clients. With the growth and development of globalization, the fashion industry has in use more and more care of dissimilar cultures and their costumes. Such racially influenced styles were shaped based on borrowing from the alternative style to pursue pluralism in the Fashion industry.

Major Findings based on literature

In the fashion industry, the one essential thing is to analyze customer demands and companies focused on their customer's wishes and desires. Here is a need to carefully analyze consumers' moving responses to the present fashion trend. One of the majority important things in the modern industry for design and fashion are to make happy the exciting demand of customers for a creation. Since the start of the consumer-oriented market in the fashion world, the manufacturer has had no option but to strive to forecast style trends as precisely as likely, as these trends have viewed as a sign of significant change in customer moving requirements for fashion.

As the importance of the modern trend in the fashion industry and interior design have emphasized in recent decades, it has to turn out to be necessary for style corporation from all sectors of the current trends in the market to start their manufactured goods development process for an innovative period to forecast future trends. While when the trend has emerged as an important issue to take into account for success in the fashion industry, it has developed an eye-catching phenomenon called "trend diversification". One of the distinctive characteristics of such a trend is that more than a few conflicting trends must coexist in a similar period (Bhardwaj, & Fairhurst, 2010).

 Results of The Comparative Role of Interior Design and Fashion Design in promoting Modern Trends

The Random Sampling technique was used to collect the data. 100 participants were selected to conduct survey research. There is there the main objective of the research objectives of research work. The first objective was to help to find out the effects of interior design in the modern trend. In this section, the researcher asked the questions about inspirations of modern trends for them. In the second objective some questions about fashion trends and its effect on modern trends involved. In the third question, the researcher asked about their inspiration for fashion and interior design. The age limit of respondents was above 15 years because literature indicates that these people have a more vast vision about fashion and interior as compare to the lower age group. The questionnaire was very effective to attain the appropriate results.

The instruments that we used to attain answers have three main constructs. The first construct was about the effect of interior design in promoting modern trends. The second construct was about the fashion industry and modern trends and the third one was the inspiration of fashion and interior designs.

Results of part 1: The first question which is related to the interior design indicates the high correlation between the modern trend and interior design. The first question which was about the modernization of an owner reflects from its interior. 80% of respondents said that they agree with it. 12% were neutral but 8% of respondents answered that they disagree with it. The second question was, Do you always conscious about your interior? 78% of people replied they agree with it, 13% said that they have no idea about it. And 9% of respondents answered that they are opposed to it. The third item was Do you agree people still follow modern interior trends? 85% of respondents were in favor of it. 7% was neutral and 8% of participants disagreed with it. Consequently, people positively answered all three questions.

Table 1

The effect of interior design in promoting modern trends?

Result of part 2: The second part of the questionnaire was about the effects of fashion design in promoting modern trends. The first question was I always follow fashion trends. 79% of respondents replied that they agree with it. 10% was neutral and 11% was against the item. The second question was my fashion makes me a modern person. 75% of people perceive that this is right. 10% was neutral and 15 people replied fashion has no significant relation with modern trends. The third question was, In my opinion, fashion-conscious people always be the modern trend followers. 78% of people answered positively and agree with it. 10% was neutral and 12% of respondents replied they disagree. 

Result of Part 3: The third part of the questionnaire was about the influence on fashion trends. This part trying to identify how much people inspired and follow others. The eighth question was about the effects of celebrities on fashion trends. 69% of people replied they are always inspired by their favoritecelebrity’s fashion trends. 15% of people replied they are neutral and the other 16% said they disagree with that. The ninth question was Do celebrities influence your wearing? 88% of respondents replied they agree with it. 7% were neutral and left  5% replied their fashion does not influence by celebrities. The tenth and last question was Do you think social media influence what you wear? 89% was said that they have influenced by social media fashion trends. 7% was neutral and % disagreed with it. 

Discussion of Part 1: The first part of the instrument was discussed about the interior design and its effect on modern trends. The result indicated that there is a very strong correlation between interior design and modern trends. According to the different researcher, a fashionable and modern person usually make their home interior styles. The survey indicates that people who have a good sense of fashion also have a consciously good sense of the interior. This part provides a very strong relationship between modernization and the latest and best interior designs.

Discussion of part 2: The second p[art of survey research indicates that more fashionable people, also follow modern trends. A very strong number of respondents feel they always follow new fashion trends. They also perceive that people who consciously follow fashion designs or a new trend, they also promote modernization. Most of the people indicated in question that, they take inspiration from their surroundings.

Discussion part 3: The third part is very interesting to survey the prediction. This part was used to evaluate the inspiration for interior and fashion trends. the number of respondents answered that they follow their favorite celebrities as the fashion symbol. Celebrities always inspired them in what they wear. But as we are living in the age of science and technology, so the number of people take fashion ideas from social media websites. People showed in the research work that they get fashion inspirations from their surroundings, from their favorite personalities, and social media. In social media sites, there are a lot of pages and blogs which provide awareness about interior and fashion.  

Results: The research study was conducted to analyses the Fashion is just not a determinedthe projected image of theinterpreted good value to achieve some of function or program but rather a reminiscent and refreshing idea and worthy enough to be depicted for society’s gratitude that makes us even more instinctive. Modern trends are becoming the status symbols in modern society. Modern trends affect a lot in fashion design and interior design. The fashion design correlates between modern trends as well as the interior design also has a very strong relation with modern trends. the research indicates that people usually follow celebrities, social media and the stylish people on their surroundings to being fashionable. The interior design is now becoming the status symbol day by day they throw a very effective and valuableimpression on others. So interior designing is also prompting the modern trends and people follow it, dear, heartedly. The research will help to analyses the further dimension of interior design and fashion trends. these three indicators are very strong to perceive the evaluation process. We are living in the modern era everyone is very conscious about its status and class. Modern trends are becoming the status symbols in modern society. Modern trends affect a lot in fashion design and interior design. The process to evaluate the factors in evaluating the fashion and interior as the main and very influential factors of modern trends and modern society. If you want to be modern you have to be fashionable and your interior must be up to the mark. 

References of The Comparative Role of Interior Design and Fashion Design in promoting Modern Trends

Azuma, N., & Fernie, J. (2003). Fashion in the globalized world and the role of virtual      networks in intrinsic fashion design. Journal of Fashion Marketing and Management:    An International Journal.

Bhardwaj, V., & Fairhurst, A. (2010). Fast fashion: response to changes in the fashion industry. The international review of retail, distribution and consumer      research, 20(1), 165-173.

Jacobs, J. G. (2007, June). Copyright Protection for Fashion Design: A Legal Analysis of the       Design Piracy Prohibition Act, HR 2033. Congressional Research Service, Library of        Congress.

McKelvey, K., & Munslow, J. (2011). Fashion design: process, innovation, and practice.             John Wiley & Sons.

McRobbie, A. (2003). British fashion design: Rag trade or image industry?. Routledge.

Murphy, K. J., & Zabojnik, J. (2004). CEO pay and appointments: A market-based           explanation for recent trends. American economic review, 94(2), 192-196.

Okonkwo, U. (2016). Luxury fashion branding: trends, tactics, techniques. Springer.

Rantisi, N. M. (2004). The ascendance of New York fashion. International Journal of Urban and Regional Research, 28(1), 86-106.

Turker, D., & Altuntas, C. (2014). Sustainable supply chain management in the fast fashion         industry: An analysis of corporate reports. European Management Journal, 32(5),          837-849.