Desdemona is a gorgeous pretty,
white Venetian Woman, and she is the child of a loving dad. Before she falls in
love with Othello, She refuses to marry one of the famous and attractive
Venetian men whom everyone hopes to marry. Alternatively, she runs with
Othello-an an older black man, a stranger to Venetian culture. The conventional
feminist view of the feminine character of Shakespeare is that they have strong
and influential characteristics that are obscured by patriarchal oppression and
tradition. Desdemona was one of those strong and influential personalities and
their practice of freedom has affected their fate (Christina,
2016).
Desdemona was the loyal wife of
Othello throughout Shakespeare's script. He was compassionate and encouraged
everybody to get in with the male figures, and it was her compassion for Cassio
that rendered Iago's deception more plausible. It was her ingenuous morality
that managed to make her an obvious target for the play antihero. Desdemona has
no profound characters; it is described as the spouse of Othello, a daughter of
Brabanzio, and the subject of love for the male protagonist. Shakespeare's
tragic heroine Desdemona was particularly vulnerable to their society's
oppression. That resulted in her death when she tried to act against it (Mandokhail,
2015).
Desdemona is viewed as confident, persistent, and destined to live her life as
she wishes. She didn't hesitate to do something against her father at a moment
when racial discrimination was the standard for marrying a Moor. According to
the general order, when Shakespeare composed his story, men were thought to be
more intelligent than women. Typically, Shakespeare's Othello stresses the
power of Desdemona despite the derogatory opinions of women. Desdemona is
depicted as more intelligent than other women and as intelligent as men in
Venetian culture. Unlike many other Othello ladies, Desdemona turned out to be
really powerful and persistent in her love and beliefs. Desdemona turned out to
be very powerful and empowered. Since the beginning of the play, Desdemona has
indeed been identified as powerful and autonomous. The analysis of the play reveals the strength
and courage of Desdemona (Sodhi, 2011). Her father appears
to be a man of control, so she confronts him. It is discovered that he had
informed Roderigo regarding his lovable daughter and said, "My
daughter is not for you" but she is in charge. She expresses about herself
rather than allowing her father to talk to her, and she supports her relation
with Othello. Desdemona knows that Othello's actions are unfair, and she
reveals her thoughts to Othello ( Ranald, 1963). This shows that
Desdemona is ahead of that time when the play was composed, as Desdemona
holds firm and maintains her principles, unlike many women. Desdemona is
therefore portrayed as a powerful and efficient woman. At Othello, Desdemona
has an unrelenting disposition that helps her to do so.
Throughout most of the play,
Desdemona does have a strong stance on her convictions and therefore does not
trust in the views of others. Adamant of her admiration for Othello, Desdemona
says that Othello is too sweet to be jealous. Her unrelenting disposition makes
her affection for Othello so pure that she cannot see the strong envy that
Othello holds (Walen, 2007). Othello
reveals that it was Desdemona who accompanied him after having a relationship
with his adventurous stories: "These experiences to hear will come down on
Desdemona". This is another demonstration that it was not applied. Reactive
personality-she determined she wanted to and she's been chasing him. Desdemona
not only contradicts her father's expectations (that she will marry a white
person of her choice); it also enters a culture that strongly opposes mixed
marriages. During this way, the partnership among Desdemona and Othello speaks
directly to the anxiety of the play about the prejudices of the sixteenth
century about class, sex, and race. In her last interaction with Othello,
Desdemona mixes logic and perseverance. Never afraid of his terror, she tells
Othello to do the correct thing and tells Cassio if he got a towel.
Nevertheless, Othello is too distressed to listen to him, so he has already
ordered the assassination of the colonel. Desdemona's character, so
contradictory to the norm, has stirred great controversy. Othello reflects, on
the passion that drives Desdemona but is "counterbalanced by his attitude
and realism." This means she is a strong woman because of her choice in
the play. Finally, she takes the lead in the advertisement, much as the
heroines do. She is secure and optimistic.
She assures her dad how she's made
the decision and she does not want to go back. By accomplishing her duties she
retained her love for her father. She made a strategic speech that was
compelling. To encourage his dad, without offending anybody. This really
demonstrates that she may be exceptionally intelligent and in the face of
injustice, she claims her feminine existence. Even though Desdemona was really a powerful figure,
she ultimately had to acknowledge her submissive personality. She's motivated
to "represent Othello and abandon his dad." The phrase
"assist" means the lesser status of Desdemona. She was compelled to represent her
husband, but she had the courage to deny her father. Its personality has been
influenced by social structure. She considers that certain humans have the
capability to stabilize the situation. She's not counting of her own joke. Her
position as a female has an impact on her knowledge and ability to learn how to
deal with the problems that may arise. Besides
that, she was also viewed as weaker by Othello. It has been regarded as
property offered by marriage. It appears like Othello has characteristics of
dominance or male supremacy. He extracts Desdemona all over the house. It is done by oral remarks.
Degrading remarks like "strumpet" and "damn" have been made
to himself. Desdemona is a survivor of misogyny. She should be called a
survivor of abuse because Othello may not perform her roles as a husband and
abuses her openly. The envy makes him mad, and he's murdering Desdemona.
Social justice warrior literary
criticism has arisen to expose stereotypic depictions and perceptions of women.
They are depicted as dumb, talkative, unable to make choices of their own, and
addicted. We are also described as artifacts and toys. They are depicted as
irrational creatures who can not behave responsibly in cases of emergency.
Feminist theorists prefer to
recognize these issues and to reject inequality. If a woman is obedient, she's
reasonable, and then when she wants to talk, she's attached. Sh e should not
make his speech known or claim his rights. She will be liable only for the
execution of his duties. Notwithstanding the fact that Desdemona was powerful,
autonomous, and intelligent, her status as a woman caused her vulnerable.
She resisted her father and
married Othello and opposed his order. Nevertheless, she was omitted by Othello
as a female. Without reasoning objectively, he questioned her modesty, her
love, and her devotion. He had killed her in his insanity. Also if he believed
as he had repented, it was pointless. Desdemona had a disappointing end even
though she was a woman. Although
Desdemona is more strong and accessible throughout Goodnight Desdemona, she
still is a vulnerable person who could be easily exploited in both parts,
either Iago or her own emotions.
References on Desdemona as a
strong woman
Ranald, M. L. (1963). The Indiscretions of Desdemona. Oxford
University Press.
Christina. (2016, July 15). https://owlcation.com/.
Retrieved from Desdemona and the Role of the Female Character in Othello and
Other Plays.
Mandokhail, R. (2015, October 16). https://www.grin.com/.
Retrieved from A feminist critique of the character Desdemona in Shakespeares'
"Othello".
Sodhi, G. (2011, March 29). https://www.bartleby.com/.
Retrieved from Desdemona Strong Woman Essay.
Walen, D. (2007). Unpinning Desdemona. Shakespeare
Quarterly.