ALSO BY COLSON WHITEHEAD
The Intuitionist
John Henry Days
The Colossus of New York
Apex Hides the Hurt
Sag Harbor
Zone One
The Noble Hustle
The Underground Railroad
This is a work of fiction. All incidents and dialogue and all characters, with the exception of some well-known historical figures, are products of the author’s imagination and are not to be construed as real. In all other respects, any resemblance to persons living or dead is entirely coincidental.
Copyright © 2019 by Colson Whitehead
All rights reserved. Published in the United States by Doubleday, a division of Penguin Random House LLC, New York.
www.doubleday.com
DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Penguin Random House LLC.
Cover design by Oliver Munday
Cover photograph: Reflection, Harlem, New York, 1964 (detail) © Neil Libbert/Bridgeman Images
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Names: Whitehead, Colson, 1969– author.
Title: The nickel boys : a novel / Colson Whitehead.
Description: First edition. | New York : Doubleday, [2019]
Identifiers: LCCN 2018042961| ISBN 9780385537070 (hardcover) | ISBN 9780385537087 (ebook) | ISBN 9780385545440 (open market)
Classification: LCC PS3573.H4768 N53 2019 | DDC 813/.54—dc23 LC record available at https://lccn.loc.gov/2018042961
Ebook ISBN 9780385537087
v5.4
ep
http://www.doubleday.com
https://lccn.loc.gov/2018042961
Contents
Cover
Also by Colson Whitehead
Title Page
Copyright
Dedication
Prologue
Part One
Chapter One
Chapter Two
Chapter Three
Part Two
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Part Three
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Epilogue
Acknowledgments
About the Author
For Richard Nash
E
PROLOGUE
ven in death the boys were trouble.
The secret graveyard lay on the north side of the Nickel campus, in a patchy acre of wild grass
between the old work barn and the school dump. The field had been a grazing pasture when the school operated a dairy, selling milk to local customers—one of the state of Florida’s schemes to relieve the taxpayer burden of the boys’ upkeep. The developers of the office park had earmarked the field for a lunch plaza, with four water features and a concrete bandstand for the occasional event. The discovery of the bodies was an expensive complication for the real estate company awaiting the all clear from the environmental study, and for the state’s attorney, which had recently closed an investigation into the abuse stories. Now they had to start a new inquiry, establish the identities of the deceased and the manner of death, and there was no telling when the whole damned place could be razed, cleared, and neatly erased from history, which everyone agreed was long overdue.
All the boys knew about that rotten spot. It took a student from the University of South Florida to bring it to the rest of the world, decades after the first boy was tied up in a potato sack and dumped there. When asked how she spotted the graves, Jody said, “The dirt looked wrong.” The sunken earth, the scrabbly weeds. Jody and the rest of the archaeology students from the university had been excavating the school’s official cemetery for months. The state couldn’t dispose of the property until the remains were properly resettled, and the archaeology students needed field credits. With stakes and wire they divided the area into search grids, dug with hand shovels and heavy equipment. After sifting the soil, bones and belt buckles and soda bottles lay scattered on their trays in an inscrutable exhibit.
The Nickel Boys called the official cemetery Boot Hill, from the Saturday matinees they had enjoyed before they were sent to the school and exiled from such pastimes. The name stuck, generations later, with the South Florida students who’d never seen a Western in their lives. Boot Hill was just over the big slope on the north campus.
The white concrete X’s that marked the graves caught the sunlight on bright afternoons. Names were carved into two-thirds of the crosses; the rest were blank. Identification was difficult, but competition between the young archaeologists made for constant progress. The school records, though incomplete and haphazard, narrowed down who WILLIE 1954 had been. The burned remains accounted for those who perished in the dormitory fire of 1921. DNA matches with surviving family members—the ones the university students were able to track down—reconnected the dead to the living world that proceeded without them. Of the forty-three bodies, seven remained unnamed.
The students piled the white concrete crosses in a mound next to the excavation site. When they returned to work one morning, someone had smashed them into chunks and dust.
Boot Hill released its boys one by one. Jody was excited when she hosed down some artifacts from one of the trenches and came across her first remains. Professor Carmine told her that the little flute of bone in her hand most likely belonged to a raccoon or other small animal. The secret graveyard redeemed her. Jody found it while wandering the grounds in search of a cell signal. Her professor backed up her hunch, on account of the irregularities at the Boot Hill site: all those fractures and cratered skulls, the rib cages riddled with buckshot. If the remains from the official cemetery were suspicious, what had befallen those in the unmarked burial ground? Two days later cadaver-sniffing dogs and radar imaging confirmed matters. No white crosses, no names. Just bones waiting for someone to find them.
“They called this a school,” Professor Carmine said. You can hide a lot in an acre, in the dirt.
One of the boys or one of their relatives tipped off the media. The students had a relationship with some of the boys at that point, after all the interviews. The boys reminded them of crotchety uncles and flinty characters from their old neighborhoods, men who might soften once you got to know them but never lost that hard center. The archaeology students told the boys about the second burial site, told the family members of the dead kids they’d dug up, and then a local Tallahassee station dispatched a reporter. Plenty of boys had talked of the secret graveyard before, but as it had ever been with Nickel, no one believed them until someone else said it.
The national press picked up the story and people got their first real
look at the reform school. Nickel had been closed for three years, which explained the savagery of the grounds and the standard teenage vandalism. Even the most innocent scene—a mess hall or the football field—came out sinister, no photographic trickery necessary. The footage was unsettling. Shadows crept and trembled at the corners and each stain or mark looked like dried blood. As if every image caught by the video rig emerged with its dark nature exposed, the Nickel you could see going in and then the Nickel you couldn’t see coming out.
If that happened to the harmless places, what do you think the haunted places looked like?
Nickel Boys were cheaper than a dime-a-dance and you got more for your money, or so they used to say. In recent years, some of the former students organized support groups, reuniting over the internet and meeting in diners and McDonald’s. Around someone’s kitchen table after an hour’s drive. Together they performed their own phantom archaeology, digging through decades and restoring to human eyes the shards and artifacts of those days. Each man with his own pieces. He used to say, I’ll pay you a visit later. The wobbly stairs to the schoolhouse basement. The blood squished between my toes in my tennis shoes. Reassembling those fragments into confirmation of a shared darkness: If it is true for you, it is true for someone else, and you are no longer alone.
Big John Hardy, a retired carpet salesman from Omaha, maintained a website for the Nickel Boys with the latest news. He kept the others apprised on the petition for another investigation and how the statement of apology from the government was coming along. A blinking digital widget kept track of the fund-raising for the proposed memorial. E-mail Big John the story of your Nickel days and he’d post it with your picture. Sharing a link with your family was a way of saying, This is where I was made. An explanation and an apology.
The annual reunion, now in its fifth year, was strange and necessary. The boys were old men now, with wives and ex-wives and children they did or didn’t talk to, with wary grandchildren who were brought around sometimes and those whom they were prevented from seeing. They had managed to scrape up a life after leaving Nickel or had never fit in at all with normal people. The last smokers of cigarette brands you never see, late to the self-help regimens, always on the verge of disappearing. Dead in prison, or decomposing in rooms they
rented by the week, frozen to death in the woods after drinking turpentine. The men met in the conference room of the Eleanor Garden Inn to catch up before caravaning out to Nickel for the solemn tour. Some years you felt strong enough to head down that concrete walkway, knowing that it led to one of your bad places, and some years you didn’t. Avoid a building or stare it in the face, depending on your reserves that morning. Big John posted a report after each reunion for those who couldn’t make it.
In New York City there lived a Nickel Boy who went by the name of Elwood Curtis. He’d do a web search on the old reform school now and then, see if there were any developments, but he stayed away from the reunions and didn’t add his name to the lists, for many reasons. What was the point? Grown men. What, you take turns handing each other Kleenex? One of the others posted a story about the night he parked outside Spencer’s house, watching the windows for hours, the silhouette figures inside, until he talked himself out of revenge. He’d made his own leather strap to use on the superintendent. Elwood didn’t get it. Go all that way, might as well follow through.
When they found the secret graveyard, he knew he’d have to return. The clutch of cedars over the TV reporter’s shoulder brought back the heat on his skin, the screech of the dry flies. It wasn’t far off at all. Never will be.
PART
One
E
CHAPTER ONE
lwood received the best gift of his life on Christmas Day 1962, even if the ideas it put in his head were his undoing. Martin Luther King at
Zion Hill was the only album he owned and it never left the turntable. His grandmother Harriet had a few gospel records, which she only played when the world discovered a new mean way to work on her, and Elwood wasn’t allowed to listen to the Motown groups or popular songs like that on account of their licentious nature. The rest of his presents that year were clothes—a new red sweater, socks—and he certainly wore those out, but nothing endured such good and constant use as the record. Every scratch and pop it gathered over the months was a mark of his enlightenment, tracking each time he entered into a new understanding of the reverend’s words. The crackle of truth.
They didn’t have a TV set but Dr. King’s speeches were such a vivid chronicle—containing all that the Negro had been and all that he would be—that the record was almost as good as television. Maybe even better, grander, like the towering screen at the Davis Drive-In, which he’d been to twice. Elwood saw it all: Africans persecuted by the white sin of slavery, Negroes humiliated and kept low by segregation, and that luminous image to come, when all those places closed to his race were opened.
The speeches had been recorded all over, Detroit and Charlotte and Montgomery, connecting Elwood to the rights struggle across the country. One speech even made him feel like a member of the King family. Every kid had heard of Fun Town, been there or envied someone who had. In the third cut on side A, Dr. King spoke of how his daughter longed to visit the amusement park on Stewart Avenue in Atlanta. Yolanda begged her parents whenever she spotted the big sign from the expressway or the commercials came on TV. Dr. King had to tell her in his low, sad rumble about the segregation system that kept colored boys and girls on the other side of the fence. Explain the misguided thinking of some whites—not all whites, but enough whites —that gave it force and meaning. He counseled his daughter to resist the lure of hatred and bitterness and assured her that “Even though
you can’t go to Fun Town, I want you to know that you are as good as anybody who goes into Fun Town.”
That was Elwood—as good as anyone. Two hundred and thirty miles south of Atlanta, in Tallahassee. Sometimes he saw a Fun Town commercial while visiting his cousins in Georgia. Lurching rides and happy music, chipper white kids lining up for the Wild Mouse Roller Coaster, Dick’s Mini Golf. Strap into the Atomic Rocket for a trip to the moon. A perfect report card guaranteed free admission, the commercials said, if your teacher stamped a red mark on it. Elwood got all A’s and kept his stack of evidence for the day they opened Fun Town to all God’s children, as Dr. King promised. “I’ll get in free every day for a month, easy,” he told his grandmother, lying on the front-room rug and tracing a threadbare patch with his thumb.
His grandmother Harriet had rescued the rug from the alley behind the Richmond Hotel after the last renovation. The bureau in her room, the tiny table next to Elwood’s bed, and three lamps were also Richmond castoffs. Harriet had worked at the hotel since she was fourteen, when she had joined her mother on the cleaning staff. Once Elwood entered high school, the hotel manager Mr. Parker made it clear he’d hire him as a porter whenever he wanted, smart kid like him, and the white man was disappointed when the boy began working at Marconi’s Tobacco & Cigars. Mr. Parker was always kind to the family, even after he had to fire Elwood’s mother for stealing.
Elwood liked the Richmond and he liked Mr. Parker, but adding a fourth generation to the hotel’s accounts made him uneasy in a way he found difficult to describe. Even before the encyclopedias. When he was younger, he sat on a crate in the hotel kitchen after school, reading comic books and Hardy Boys while his grandmother straightened and scrubbed upstairs. With both his parents gone, she preferred to have her nine-year-old grandson nearby instead of alone in the house. Seeing Elwood with the kitchen men made her think those afternoons were a kind of school in their own right, that it was good for him to be around men. The cooks and waiters took the boy for a mascot, playing hide-and-seek with him and peddling creaky wisdom on various topics: the white man’s ways, how to treat a good-time gal, strategies for hiding money around the house. Elwood didn’t understand what the older men talked about most of the time, but he nodded gamely before returning to his adventure stories.
After rushes, Elwood sometimes challenged the dishwashers to plate-drying races and they made a good-natured show of being disappointed by his superior skills. They liked seeing his smile and his odd delight at each win. Then the staff turned over. The new downtown hotels poached personnel, cooks came and went, a few of the waiters didn’t return after the kitchen reopened from flood damage. With the change in staff, Elwood’s races changed from endearing novelty to mean-spirited hustle; the latest dishwashers were tipped off that the grandson of one of the cleaning girls did your work for you if you told him it was a game, keep on the lookout. Who was this serious boy who loitered around while the rest of them busted their asses, getting little pats on the head from Mr. Parker like he was a damn puppy, nose in a comic book like he hadn’t a care? The new men in the kitchen had different kinds of lessons to impart to a young mind. Stuff they’d learned about the world. Elwood remained unaware that the premise of the competition had changed. When he issued a challenge, everybody in the kitchen tried not to smirk.
Elwood was twelve when the encyclopedias appeared. One of the busboys dragged a stack of boxes into the kitchen and called for a powwow. Elwood squeezed in—it was a set of encyclopedias that a traveling salesman had left behind in one of the rooms upstairs. There were legends about the valuables that rich white people left in their rooms, but it was rare that this kind of plunder made it down to their domain. Barney the cook opened the top box and held up the leather- bound volume of Fisher’s Universal Encyclopedia, Aa–Be. He handed it to Elwood, who was surprised at how heavy it was, a brick with pages edged in red. The boy flipped through, squinting at the tiny words —Aegean, Archimedes, Argonaut—and had a picture of himself on the front-room couch copying words he liked. Words that looked interesting on the page or that sounded interesting in his imagined pronunciations.
Cory the busboy offered up his find—he didn’t know how to read and had no immediate plans to learn. Elwood made his bid. Given the personality of the kitchen, it was hard to think of anyone else who’d want the encyclopedias. Then Pete, one of the new dishwashers, said he’d race him for it.
Pete was a gawky Texan who’d started working two months prior. He was hired to bus tables, but after a few incidents they moved him to the kitchen. He looked over his shoulder when he worked, as if worried
about being watched, and didn’t talk much, although his gravelly laughter made the other men in the kitchen direct their jokes toward him over time. Pete wiped his hands on his pants and said, “We got time before the dinner service, if you’re up for it.”
The kitchen made a proper contest of it. The biggest yet. A stopwatch was produced and handed to Len, the gray-haired waiter who’d worked at the hotel for more than twenty years. He was meticulous about his black serving uniform, and maintained that he was always the best-dressed man in the dining room, putting the white patrons to shame. With his attention to detail, he’d make a dedicated referee. Two fifty-plate stacks were arranged, after a proper soaking supervised by Elwood and Pete. Two busboys acted as seconds for this duel, ready to hand over dry replacement rags when requested. A lookout stood at the kitchen door in case a manager happened by.
While not prone to bravado, Elwood had never lost a dish-drying contest in four years, and wore his confidence on his face. Pete had a concentrated air. Elwood didn’t perceive the Texan as a threat, having out-dried the man in prior competitions. Pete was, in general, a good loser.
Len counted down from ten, and they began. Elwood stuck to the method he’d perfected over the years, mechanistic and gentle. He’d never let a wet plate slip or chipped one by setting it on the counter too quickly. As the kitchen men cheered them on, Pete’s mounting stack of dried plates unnerved Elwood. The Texan had an edge on him, displaying new reserves. The onlookers made astonished noises. Elwood hurried, chasing after the image of the encyclopedias in their front room.
Len said, “Stop!”
Elwood won by one plate. The men hollered and laughed and traded glances whose meaning Elwood would interpret later.
Harold, one of the busboys, slapped Elwood on the back. “You were made to wash dishes, slick.” The kitchen laughed.
Elwood returned volume Aa–Be to its box. It was a fancy reward.
“You earned it,” Pete said. “I hope you get a lot of use out of them.”
Elwood asked the housekeeping manager to tell his grandmother he was going home. He couldn’t wait to see the look on her face when she
saw the encyclopedias on their bookshelves, elegant and distinguished. Hunched, he dragged the boxes to the bus stop on Tennessee. To see him from across the street—the serious young lad heaving his freight of the world’s knowledge—was to witness a scene that might have been illustrated by Norman Rockwell, if Elwood had had white skin.
At home, he cleared Hardy Boys and Tom Swifts from the green bookcase in the front room and unpacked the boxes. He paused with Ga, curious to see how the smart men at the Fisher company handled galaxy. The pages were blank—all of them. Every volume in the first box was blank except for the one he’d seen in the kitchen. He opened the other two boxes, his face getting hot. All the books were empty.
When his grandmother came home, she shook her head and told him maybe they were defective, or dummy copies the salesman showed to customers as samples, so they could see how a full set would look in their homes. That night in bed his thoughts ticked and hummed like a contraption. It occurred to him that the busboy, that all the men in the kitchen had known the books were empty. That they had put on a show.
He kept the encyclopedias in the bookcase anyway. They looked impressive, even when the humidity peeled back the covers. The leather was fake, too.
The next afternoon in the kitchen was his last. Everyone paid too much attention to his face. Cory tested him with “How’d you like those books?” and waited for a reaction. Over by the sink Pete had a smile that looked as if it had been hacked into his jaw with a knife. They knew. His grandmother agreed that he was old enough to stay in the house by himself. Through high school, he went back and forth over the matter of whether the dishwashers had let him win all along. He’d been so proud of his ability, dumb and simple as it was. He never settled on one conclusion until he got to Nickel, which made the truth of the contests unavoidable.
S
CHAPTER TWO
aying goodbye to the kitchen meant saying goodbye to his separate game, the one he kept private: Whenever the dining-room door swung
open, he bet on whether there were Negro patrons out there. According to Brown v. Board of Education, schools had to desegregate—it was only a matter of time before all the invisible walls came down. The night the radio announced the Supreme Court’s ruling, his grandmother shrieked as if someone had tossed hot soup in her lap. She caught herself and straightened her dress. “Jim Crow ain’t going to just slink off,” she said. “His wicked self.”
The morning after the decision, the sun rose and everything looked the same. Elwood asked his grandmother when Negroes were going to start staying at the Richmond, and she said it’s one thing to tell someone to do what’s right and another thing for them to do it. She listed some of his behavior as proof and Elwood nodded: Maybe so. Sooner or later, though, the door would swing wide to reveal a brown face—a dapper businessman in Tallahassee for business or a fancy lady in town to see the sights—enjoying the fine-smelling fare the cooks put out. He was sure of it. The game began when he was nine, and three years later the only colored people he saw in the dining room carried plates or drinks or a mop. He never stopped playing, up until his afternoons at the Richmond ended. Whether his opponent in this game was his own foolishness or the mulish constancy of the world was unclear.
Mr. Parker was not the only one who saw a worthy employee in Elwood. White men were always extending offers of work to Elwood, recognizing his industrious nature and steady character, or at least recognizing that he carried himself differently than other colored boys his age and taking this for industry. Mr. Marconi, the proprietor of the tobacco shop on Macomb Street, had watched Elwood since he was a baby, squealing in a noisy carriage that was half rust. Elwood’s mother was a slim woman with dark, tired eyes who never moved to quiet her child. She’d buy armfuls of movie magazines and vanish into the street, Elwood howling all the way.
Mr. Marconi left his perch by the register as seldom as possible. Squat and perspiring, with a low pompadour and a thin black mustache, he was inevitably disheveled by evening. The atmosphere at the front of the store was stringent with his hair tonic and he left an aromatic trail on hot afternoons. From his chair, Mr. Marconi observed Elwood grow older and lean toward his own sun, veering away from the neighborhood boys, who carried on and roughhoused in the aisles and slipped Red Hots into their dungarees when they thought Mr. Marconi wasn’t looking. He saw everything, said nothing.
Elwood belonged to the second generation of his Frenchtown customers. Mr. Marconi hung out his shingle a few months after the army base opened in ’42. Negro soldiers took the bus up from Camp Gordon Johnston or from Dale Mabry Army Air Field, raised hell in Frenchtown all weekend, then slumped back to train for war. He had relatives who opened businesses downtown and thrived, but a white man savvy to the economics of segregation could turn a real buck. Marconi’s was a few doors down from the Bluebell Hotel. The Tip Top Bar and Marybelle’s Pool Hall were around the corner. He did a reliable trade in various tobaccos and tins of Romeos prophylactics.
Once the war ended, he moved the cigars to the back of the store, repainted the walls white, and added magazine racks, penny candy, and a soda cooler, which did much to improve the place’s reputation. He hired help. He didn’t need an employee, but his wife liked telling people that he had an employee, and he imagined it made the store more approachable to a genteel segment of black Frenchtown.
Elwood was thirteen when Vincent, the tobacco shop’s longtime stock boy, signed up for the army. Vincent hadn’t been the most attentive employee, but he was prompt and well-groomed, two qualities that Mr. Marconi valued in others if not in himself. On Vincent’s last day, Elwood dawdled at the comics rack, as he did most afternoons. He had a curious habit where he read every comic front to back before he bought it, and he bought every one he touched. Mr. Marconi asked why go through all that if he was going to buy them whether they were good or not, and Elwood said, “Just making sure.” The shopkeeper asked him if he needed a job. Elwood closed the copy of Journey into Mystery and said he’d have to ask his grandmother.
Harriet had a long list of rules for what was acceptable and what was not, and sometimes the only way for Elwood to know how it all
worked was to make a mistake. He waited until after dinner, once they’d finished the fried catfish and the sour greens and his grandmother rose to clear. In this case, she held no hidden reservations, despite the fact that her uncle Abe had smoked cigars and look what happened to him, despite Macomb Street’s history as a laboratory of vice, and despite the fact she’d turned her mistreatment by an Italian salesclerk decades ago into a cherished grudge. “They’re probably not related,” she said, wiping her hands. “Or if they are, distant cousins.”
She let Elwood work at the store after school and on weekends, taking half his paycheck at the end of the week for the household and half for college. He’d mentioned going to college the summer prior, casually, with no inkling of the momentousness of his words. Brown v. Board of Education was an unlikely turn, but one of Harriet’s family aspiring to higher education was an actual miracle. Any misgivings over the tobacco shop collapsed before such a notion.
Elwood tidied the newspapers and comic books in the wire racks, wiped dust off the less popular sweets, and made sure that the cigar boxes were arranged according to Marconi’s theories about packaging and how it excited “the happy part of the human brain.” He still hung around the comics, reading them gingerly as if handling dynamite, but the news magazines exerted a gravity. He fell under the luxurious sway of Life magazine. A big white truck dropped off a stack of Life every Thursday—Elwood came to learn the sound of its brakes. Once he sorted the returns and displayed the new arrivals, he hunkered on the stepladder to follow the magazine’s latest excursions into unreckoned corners of America.
He knew Frenchtown’s piece of the Negro’s struggle, where his neighborhood ended and white law took over. Life’s photo essays conveyed him to the front lines, to bus boycotts in Baton Rouge, to counter sit-ins in Greensboro, where young people not much older than him took up the movement. They were beaten with metal bars, blasted by fire hoses, spat on by white housewives with angry faces, and frozen by the camera in tableaus of noble resistance. The tiny details were a wonder: how the young men’s ties remained straight black arrows in the whirl of violence, how the curves of the young women’s perfect hairdos floated against the squares of their protest signs. Glamorous somehow, even when the blood flowed down their faces. Young knights taking the fight to dragons. Elwood was slight-
shouldered, skinny as a pigeon, and he worried about the safety of his glasses, which were expensive and in his dreams broken in two by nightsticks, tire irons, or baseball bats, but he wanted to enlist. He had no choice.
Flipping pages during lulls. Elwood’s shifts at Marconi’s provided models for the man he wished to become and separated him from the type of Frenchtown boy he was not. His grandmother had long steered him from hanging out with the local kids, whom she regarded as shiftless, clambering into rambunction. The tobacco shop, like the hotel kitchen, was a safe preserve. Harriet raised him strict, everyone knew, and the other parents on their stretch of Brevard Street helped keep Elwood apart by holding him up as an example. When the boys he used to play cowboys and Indians with chased him down the street every once in a while or threw rocks at him, it was less out of mischief than resentment.
People from his block stopped in Marconi’s all the time, and his worlds overlapped. One afternoon, the bell above the door jangled and Mrs. Thomas walked in.
“Hello, Mrs. Thomas,” Elwood said. “There’s some cold orange in there.”
“I think I just might, El,” she said. A connoisseur of the latest styles, Mrs. Thomas was dressed this afternoon in a homemade yellow polka- dot dress she’d copied from a magazine profile of Audrey Hepburn. She was quite aware that few women in the neighborhood could have worn it with such confidence, and when she stood still it was hard to escape the suspicion that she was posing, waiting for the pop of flashbulbs.
Mrs. Thomas had been Evelyn Curtis’s best friend growing up. One of Elwood’s earliest memories was of sitting on his mother’s lap on a hot day while they played gin. He squirmed to see his mother’s cards and she told him not to fuss, it was too hot out. When she got up to visit the outhouse, Mrs. Thomas snuck him sips of her orange soda. His orange tongue gave them away and Evelyn half-heartedly scolded them while they giggled. Elwood kept that day close.
Mrs. Thomas opened her purse to pay for her two sodas and this week’s Jet. “You keeping up with that schoolwork?”
“Yes, ma’am.”
“I don’t work the boy too hard,” Mr. Marconi said.
“Mmm,” Mrs. Thomas said. Her tone was suspect. Frenchtown ladies remembered the tobacco store from its disreputable days and considered the Italian an accomplice to domestic miseries. “You keep doing what you’re supposed to, El.” She took her change and Elwood watched her leave. His mother had left both of them; it was possible she sent her friend postcards from this or that place, even if she forgot to write him. One day Mrs. Thomas might share some news.
Mr. Marconi carried Jet, of course, and Ebony. Elwood got him to pick up The Crisis and The Chicago Defender, and other black newspapers. His grandmother and her friends subscribed, and he thought it strange that the store didn’t sell them.
“You’re right,” Mr. Marconi said. He pinched his lip. “I think we used to carry it. I don’t know what happened.”
“Great,” Elwood said.
Long after Mr. Marconi had stopped minding his regulars’ buying habits, Elwood remembered what brought each person into the store. His predecessor, Vincent, had occasionally livened up the place with a dirty joke, but it couldn’t be said that he had initiative. Elwood possessed it in spades, reminding Mr. Marconi which tobacco vendor had shorted them on the last delivery and which candy to quit restocking. Mr. Marconi struggled to tell the colored ladies of Frenchtown apart—all of them wore a scowl when they saw him—and Elwood made a competent ambassador. He’d stare at the boy when he was lost in his magazines and try to figure what made him tick. His grandmother was firm, that was clear. The boy was intelligent and hardworking and a credit to his race. But Elwood could be thick-witted when it came to the simplest things. He didn’t know when to stand back and let things be. Like the business with the black eye.
Kids swiped candy, it didn’t matter what color their skin was. Mr. Marconi himself, in his untethered youth, had engineered all sorts of foolishness. You lose a percentage here and there, but that was in the overhead—kids steal a candy bar today but they and their friends spend their money in the store for years. Them and their parents. Chase them out into the street over some little thing, word gets around, especially in a neighborhood like this where everybody’s in everybody’s business, and then the parents stop coming in because they’re
embarrassed. Letting the kids steal was almost an investment, the way he looked at it.
Elwood drifted to a different perspective during his time in the store. Before he worked at Marconi’s, his friends gloated over their candy heists, cackling and blowing insolent pink bubbles of Bazooka once they got a good distance from the store. Elwood didn’t join in but he’d never had feelings on it. When Mr. Marconi hired him, his boss explained his attitude toward sticky fingers, along with where they kept the mop and what days to expect the big deliveries. Over the months, Elwood saw sweets disappear into boys’ pockets. Boys he knew. Maybe with a wink to Elwood if they caught his eye. For a year, Elwood said nothing. But the day Larry and Willie grabbed the lemon candies when Mr. Marconi bent behind the counter, he couldn’t restrain himself.
“Put it back.”
The boys stiffened. Larry and Willie had known Elwood their whole lives. Played marbles and tag with him when they were small, although that ended when Larry started a fire in the vacant lot on Dade Street and Willie got left back twice. Harriet struck them from the list of allowable companions. Their three families went back in Frenchtown for generations. Larry’s grandmother was in a church group with Harriet, and Willie’s father had been a childhood buddy of Elwood’s father, Percy. They shipped off to the army together. Willie’s father spent every day on his porch in his wheelchair, smoking a pipe, and he waved whenever Elwood passed.
“Put it back,” Elwood said.
Mr. Marconi tilted his head: That’s enough. The boys returned the candy and left the store, smoldering.
They knew Elwood’s route. Sometimes jeered at him for being a goody-two-shoes when he biked past Larry’s window on his way home. That night they jumped him. It was just getting dark and the smell of magnolias mingled with the tang of fried pork. They slammed him and his bike into the new asphalt the county had laid down that winter. The boys tore his sweater, threw his glasses into the street. As they beat him, Larry asked Elwood if he had any damned sense; Willie declared that he needed to be taught a lesson, and proceeded to do so. Elwood got a few licks in here and there, not much to talk about. He didn’t cry. When he came upon two little kids fighting on his block, Elwood was
the kind to intervene and cool things down. Now he was getting his. An old man from across the street broke it up and asked Elwood if he wanted to clean himself or have a glass of water. Elwood declined.
The chain on his bike was popped and he walked it home. Harriet didn’t press him when she asked about his eye. He shook his head. By morning the livid bump underneath was a bubble of blood.
Larry had a point, Elwood had to admit: From time to time it appeared that he had no goddamned sense. He couldn’t explain it, even to himself, until At Zion Hill gave him a language. We must believe in our souls that we are somebody, that we are significant, that we are worthful, and we must walk the streets of life every day with this sense of dignity and this sense of somebody-ness. The record went around and around, like an argument that always returned to its unassailable premise, and Dr. King’s words filled the front room of the shotgun house. Elwood bent to a code—Dr. King gave that code shape, articulation, and meaning. There are big forces that want to keep the Negro down, like Jim Crow, and there are small forces that want to keep you down, like other people, and in the face of all those things, the big ones and the smaller ones, you have to stand up straight and maintain your sense of who you are. The encyclopedias are empty. There are people who trick you and deliver emptiness with a smile, while others rob you of your self-respect. You need to remember who you are.
This sense of dignity. The way the man said it, crackle and all: an inalienable strength. Even when consequences lay in wait on dark street corners on your way home. They beat him up and tore his clothes and didn’t understand why he wanted to protect a white man. How to tell them that their transgressions against Mr. Marconi were insults to Elwood himself, whether it was a sucker candy or a comic book? Not because any attack on his brother was an attack on himself, like they said in church, but because for him to do nothing was to undermine his own dignity. No matter that Mr. Marconi had told him he didn’t care, no matter that Elwood had never said a word to his friends when they stole in his presence. It didn’t make no sense until it made the only sense.
That was Elwood—as good as anyone. On the day he was arrested, just before the deputy appeared, an advertisement for Fun Town came on the radio. He hummed along. He remembered that Yolanda King
was six years old when her father told her the truth about the amusement park and the white order that kept her outside the fence looking in. Always looking into that other world. Elwood was six when his parents took off and he thought, that’s another thing tying him to her, because that’s when he woke to the world.
O
CHAPTER THREE
n the first day of the school year, the students of Lincoln High School received their new secondhand textbooks from the white high
school across the way. Knowing where the textbooks were headed, the white students left inscriptions for the next owners: Choke, Nigger! You Smell. Eat Shit. September was a tutorial in the latest epithets of Tallahassee’s white youth, which, like hemlines and haircuts, varied year to year. It was humiliating to open a biology book, turn to the page on the digestive system, and be confronted with Drop dead NIGGER, but as the school year went on, the students of Lincoln High School stopped noticing the curses and impolite suggestions. How to get through the day if every indignity capsized you in a ditch? One learned to focus one’s attention.
Mr. Hill started working at the high school when Elwood entered his junior year. He greeted Elwood and the rest of the history class and wrote his name on the blackboard. Then Mr. Hill handed out black markers and told his students that the first order of business was to strike out all the bad words in the textbooks. “That always burned me up,” he said, “seeing that stuff. You all are trying to get an education— no need to get caught up with what those fools say.” Like the rest of the class, Elwood went slow at first. They looked at the textbooks and then at the teacher. Then they dug in with their markers. Elwood got giddy. His heart sped: this escapade. Why hadn’t anyone told them to do this before?
“Make sure you don’t miss anything,” Mr. Hill said. “You know those white kids are wily.” While the students struck out the curses and cusses, he told them about himself. He was new to Tallahassee, having just finished his studies at a teaching college in Montgomery. He’d first visited Florida the previous summer, when he stepped off a bus from Washington, DC, in Tallahassee as a freedom rider. He had marched. Installed himself at forbidden lunch counters and waited for service. “I got a lot of course work done,” he said, “sitting there waiting for my cup of coffee.” Sheriffs threw him in jail for breach of peace. He was almost bored as he shared these stories, as if what he had done was the
most natural thing in the world. Elwood wondered if he’d seen him in the pages of Life or the Defender, arm in arm with the great movement leaders, or in the background with the anonymous ones, standing tall and proud.
Mr. Hill maintained a broad collection of bow ties: polka dot, bright red, banana yellow. His wide, kind face was somehow made kinder by the crescent scar over his right eye where a white man had slugged him with a tire iron. “Nashville,” he said when someone asked one afternoon, and he bit into his pear. The class focused on US history since the Civil War, but at every opportunity Mr. Hill guided them to the present, linking what had happened a hundred years ago to their current lives. They’d set off down one road at the beginning of class and it always led back to their doorsteps.
Mr. Hill caught on that Elwood had a fascination with the rights struggle and gave the boy a wry smile when he chimed in. The rest of the faculty of Lincoln High School had long held the boy in high esteem, grateful for his cool temperament. Those who’d taught his parents years ago had a hard time squaring him—he may have carried his father’s name but there was nothing in the boy of Percy’s feral charm, or of Evelyn’s unnerving gloom. Grateful was the teacher rescued by Elwood’s contributions when the classroom fell drowsy with the afternoon heat and he offered up Archimedes or Amsterdam at the key moment. The boy had one usable volume of Fisher’s Universal Encyclopedia, so he used it, what else could he do? Better than nothing. Skipping around, wearing it down, revisiting his favorite parts as if it were one of his adventure tales. As a story, the encyclopedia was disjointed and incomplete, but still exciting in its own right. Elwood filled his notebook with the good parts, definitions and etymology. Later he’d find this scrap-rummaging pathetic.
He had been the natural choice at the end of his freshman year when they needed a new lead for the annual Emancipation Day play. Playing Thomas Jackson, the man who informs the Tallahassee slaves that they are free, was training for the version of himself who lived up the road. Elwood invested the character with the same earnestness he brought to all his responsibilities. In the play, Thomas Jackson was a cutter on a sugar plantation who ran away to join the Union Army at the start of the war, returning home a statesman. Every year Elwood concocted new inflections and gestures, the speeches losing their stiffness as his own convictions enlivened the portrait. “It is my
pleasure to inform you fine gentlemen and ladies that the time has come to throw off the yoke of slavery and take our places as true Americans—at long last!” The play’s author, a teacher of biology, had attempted to summon the magic of her one trip to Broadway years before.
In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.
The movement he read and fantasized about was far off—then it crept closer. Frenchtown had its protests, but Elwood was too young to join in. He was ten years old when the two girls from Florida A&M University proposed the bus boycott. His grandmother initially didn’t understand why they wanted to bring all that fuss to their city, but after a few days she was carpooling to the hotel like everyone else. “Everybody in Leon County has gone crazy,” she said, “including me!” That winter the city finally integrated the buses and she got on and saw a colored driver behind the wheel. Sat where she wanted.
Four years later, when the students got it in their mind to sit down at the lunch counter at Woolworths, Elwood remembered his grandmother cackling with approval. She even gave fifty cents to support their legal defense after the sheriff jailed them. When the demonstrations trailed off, she continued to boycott downtown stores, although it was not clear how much of that was solidarity or her own protest against high prices. In the spring of ’63, word spread that the college kids were going to picket the Florida Theatre to open its seats to Negroes. Elwood had good reason to think that Harriet would be proud of him for stepping up.
He was incorrect. Harriet Johnson was a slight hummingbird of a woman who conducted herself in everything with furious purpose. If something was worth doing—working, eating, talking to another
person—it was worth doing seriously or not at all. She kept a sugarcane machete under her pillow for intruders, and it was difficult for Elwood to think that the old woman was afraid of anything. But fear was her fuel.
Yes, Harriet had joined the bus boycott. She had to—she couldn’t be the only woman in Frenchtown to take public transportation. But she trembled each time Slim Harrison pulled up in his ’57 Cadillac and she squeezed into the back with the other downtown-bound ladies. When the sit-ins started, she was grateful that no one expected a public gesture on her part. Sit-ins were a young person’s game and she didn’t have the heart. Act above your station, and you will pay. Whether it was God angry at her for taking more than her portion or the white man teaching her not to ask for more crumbs than he wanted to give, Harriet would pay. Her father had paid for not stepping out of the way of a white lady on Tennessee Avenue. Her husband, Monty, paid when he stepped up. Elwood’s father, Percy, got too many ideas when he joined the army so that when he came back there was no room in Tallahassee for everything in his head. Now, Elwood. She’d bought that Martin Luther King record from a salesman outside the Richmond for a dime and it was the damnedest ten cents she’d ever handed over. That record was nothing but ideas.
Hard work was a fundamental virtue, for hard work didn’t allow time for marches or sit-ins. Elwood would not make a commotion of himself by messing with that movie-theater nonsense, she said. “You have made an agreement with Mr. Marconi to work in his store after school. If your boss can’t depend on you, you won’t be able to keep a job.” Duty might protect him, as it had protected her.
A cricket under the house made a racket. Should’ve been paying rent, it had been flopping with them for so long. Elwood looked up from his science book and said, “Okay.” The next afternoon he asked Mr. Marconi for a day off. Elwood had been out sick two days, but apart from that and some visits to see family, he hadn’t missed work in those three years at the store.
Mr. Marconi said sure. Didn’t even look up from his racing form.
Elwood dressed in the dark slacks from last year’s Emancipation Day play. He’d grown a few inches, so he let them out and they showed the barest sliver of his white socks. A new emerald tie clip held his black tie in place and the knot only took six attempts. His shoes glinted
with polish. He looked the part, even if he still worried for his glasses if the police brought out nightsticks. If the whites carried iron pipes and baseball bats. He waved off the bloody images from newspapers and magazines and tucked in his shirt.
Elwood heard the chants when he reached the Esso station on Monroe. “What do we want? Freedom! When do we want it? Now!” The A&M students marched in snaky loops in front of the Florida, hoisting signs and rotating slogans under the marquee. The theater was showing The Ugly American—if you had seventy-five cents and the right skin color, you could see Marlon Brando. The sheriff and his deputies had installed themselves on the sidewalk in dark sunglasses, arms crossed. A group of whites jeered and taunted behind the policemen, and more white men trotted down the street to join them. Elwood kept his eyes down as he walked around the mob and slipped into the protest line behind an older girl in a striped sweater. She grinned at him and nodded as if she had been waiting for him.
He calmed once he joined the human chain and mouthed the words with the others. EQUAL TREATMENT UNDER THE LAW. Where was his sign? In his concentration on looking the part, he’d forgotten his props. He couldn’t have matched the older kids’ perfect stencil work. They’d had practice. NONVIOLENCE IS OUR WATCHWORD. WE SHALL WIN BY LOVE. A short boy with a shaved head waved one that said, ARE YOU THE UGLY AMERICAN in a sea of cartoony question marks. Someone grabbed Elwood’s shoulder. He thought he’d see a monkey wrench bearing down, but it was Mr. Hill. His history teacher invited him into a group of Lincoln seniors. Bill Tuddy and Alvin Tate, two guys from varsity basketball, shook his hand. They’d never acknowledged him before. He’d kept his movement dreams so close that it never occurred to him that others in his school shared his need to stand up.
The next month the sheriff arrested more than two hundred protestors and charged them with contempt, snatching collars in a roil of tear gas, but this first march went off without incident. By then the FAMU students would be joined by those from Melvin Griggs Technical. White kids from the University of Florida and Florida State. Skilled hands from the Congress of Racial Equality. This day, old and young white men shouted at them, but it was nothing Elwood hadn’t heard shouted from cars when biking down the street. One of the red-faced white boys looked like Cameron Parker, the son of the Richmond’s manager, and the next circuit confirmed it. They’d traded comic books
a few years ago in the alley behind the hotel. Cameron didn’t recognize him. A flashbulb exploded in his face and Elwood started, but the photographer was from the Register, which his grandmother refused to read because their race coverage was so slanted. A college girl in a tight blue sweater handed him a sign that said I AM A MAN and when the protest moved to the State Theatre, he held it over his head and lent his voice to the proud chorus. The State was playing The Day Mars Invaded Earth and that night he thought he’d traveled a hundred thousand miles in one day.
Three days later Harriet confronted him—one of her circle had seen him and that’s how long it took for the news to get back to her. It had been years since she spanked him with a belt and now he was much too big, so she resorted to an old Johnson family recipe for the silent treatment, one that dated back to Reconstruction and achieved a complete sense of erasure in its target. She instituted a ban on the record player and, recognizing the resiliency of this younger generation of colored youth, moved it into her bedroom and weighed it down with bricks. They both suffered in the quiet.
After a week, things in the house were back to their routine, but Elwood was changed. Closer. At the demonstration, he had felt somehow closer to himself. For a moment. Out there in the sun. It was enough to feed his dreams. Once he got to college and out of their little shotgun house on Brevard, he’d start his life. Take girls to the movies— he was done stymieing himself on that front—and figure out a course of study. Find his place in the busy line of young dreamers who dedicated themselves to Negro uplift.
That last summer in Tallahassee passed quickly. Mr. Hill gave him a copy of James Baldwin’s Notes of a Native Son on the last day of school, and his mind churned. Negroes are Americans and their destiny is the country’s destiny. He hadn’t marched on the Florida Theatre in defense of his rights or those of the black race of which he was a part; he had marched for everyone’s rights, even those who shouted him down. My struggle is your struggle, your burden is my burden. But how to tell people? He stayed up late writing letters on the racial question to the Tallahassee Register, which did not run them, and The Chicago Defender, which printed one. “We ask of the older generation, Will you pick up our challenge?” Bashful, he didn’t tell anyone and wrote under a pseudonym: Archer Montgomery. It sounded stuffy and smart, and he didn’t realize he’d used his
grandfather’s name until he saw it in black-and-white newsprint.
In June Mr. Marconi became a grandfather, a milestone that exposed new facets in the Italian. He turned the shop into a showcase for avuncular enthusiasm. The long silences gave way to lessons from his immigrant struggles and eccentric business advice. He took to closing the shop an hour early to visit his granddaughter and paid Elwood for a full shift. When this happened, Elwood strolled over to the basketball courts to see if anyone was playing. He only ever watched, but his excursion to the protests had made him less shy and he made a few friends on the sidelines, dudes from two streets over whom he’d seen for years but never talked to. Other times he might go downtown with Peter Coombs, a neighborhood boy Harriet approved of on account that he played violin and shared a bookish bent with her grandson. If Peter didn’t have practice, they wandered the record stores and furtively checked out the covers of LPs they were forbidden to buy.
“What’s ‘Dynasound’?” Peter asked.
A new style of music? A different way of hearing? They were confounded.
Once in a while on hot afternoons girls from FAMU stopped in the store for a soda, someone from the Florida demonstration. Elwood asked for news on the protests, and they’d brighten at the connection and pretend to recognize him. More than one told him that they assumed he was in college. He took their observations as compliments, ornaments on his daydreams about leaving home. Optimism made Elwood as malleable as the cheap taffy below the register. He was primed when Mr. Hill appeared in the store that July and made his suggestion.
Elwood didn’t recognize him at first. No colorful bow tie, an orange plaid shirt open to show his undershirt, hip sunglasses—Mr. Hill looked like someone who hadn’t thought about work for months, not weeks. He greeted his former student with the lazy ease of someone who had the whole summer off. For the first summer in a while he wasn’t traveling, he told Elwood. “There’s plenty here to keep me occupied,” he said, nodding toward the sidewalk. A young woman in a floppy straw hat waited for him, her thin hand shading her eyes from the sunlight.
Elwood asked Mr. Hill if he needed anything.
“I came here to see you, Elwood,” he said. “A friend of mine told me about an opportunity and I thought of you right off the bat.”
Mr. Hill had a comrade from the freedom riders, a college professor who’d landed a job at Melvin Griggs Technical, the colored college just south of Tallahassee. Teaching English and American literature, just finished his third year. The school had been poorly managed for some time; the new president of the college was turning things around. The courses at Melvin Griggs had been open to high-achieving high-school students for some time, but none of the local families knew about it. The president put Mr. Hill’s friend on it, and he reached out: Perhaps there were a few exceptional kids at Lincoln who might be interested?
Elwood tightened his hands on the broom. “That sounds great, but I don’t know if we have the money for classes like that.” Later, he’d shake his head: College classes were exactly what he’d been saving up for, what did it matter if he took them while still at Lincoln?
“That’s the thing, Elwood—they’re free. This fall at least, so they can get the word out in the community.”
“I’ll have to ask my grandmother.”
“You do that, Elwood,” Mr. Hill said. “And I can talk to her, too.” He put his hand on Elwood’s shoulder. “The main thing is, it’d be perfect for a young man like you. You’re the type of student they came up with this for.”
Later that afternoon as he chased a fat, buzzing fly around the store, Elwood thought there probably weren’t a lot of white kids in Tallahassee who studied at the college level. He who gets behind in a race must forever remain behind or run faster than the man in front.
Harriet expressed no misgivings over Mr. Hill’s offer—the word free was a master switch. After that, Elwood’s summer moved as slow as a mud turtle. Because Mr. Hill’s friend taught English, he thought he had to sign up for a literature course, but even when he found out he could take anything he wanted, he stuck with it. The survey course on British writers wasn’t practical, as his grandmother pointed out, but that was its charm, the more he thought about it. He had been exceedingly practical for a long time.
Perhaps the textbooks at the college might be new. Unscarred.
Nothing to cross out. It was possible.
The day before Elwood’s first college class, Mr. Marconi summoned him to the cash register. Elwood had to miss his Thursday shifts in order to attend; he assumed his boss wanted to make sure things were in order for his absence. The Italian cleared his throat and pushed a velvet case to him. “For your education,” he said.
It was a midnight-blue fountain pen with brass trim. A nice gift, even if Mr. Marconi got a discount because the stationers were a steady client. They shook hands in a manly fashion.
Harriet wished him good luck. She checked his school outfit every morning to make sure he was presentable, but apart from plucking the occasional piece of lint never made any corrections. This day was no different. “You look smart, El,” she said. She kissed him on the cheek before heading to the bus stop, hunching her shoulders in the way she did when she was trying not to cry in front of him.