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THE ADVENTURES OF EDDIE FUNG


THE ADVENTURES OF EDDIE FUNG


C H I N A T O W N K I D · T E XA S C O W B OY · P R I SO N E R O F W A R


EDITED BY JUDY YUNG


U N I V E R S I T Y O F W A S H I N G T O N P R E S S · S E A T T L E & L O N D O N


The Adventures of Eddie Fung is published with the assistance of a grant from the


naomi b. pascal editor’s endowment, supported through the generosity of


Janet and John Creighton, Patti Knowles, Mary McLellan Williams, and other donors.


Copyright © 2007 by Judy Yung


Printed in the United States of America


Designed by Pamela Canell


13 12 11 10 09 08 5 4 3 2


All rights reserved. No part of this publication may be reproduced or transmitted in any


form or by any means, electronic or mechanical, including photocopy, recording, or any


information storage or retrieval system, without permission in writing from the publisher.


University of Washington Press


P.O. Box 50096, Seattle, WA 98145, U.S.A.


www.washington.edu/uwpress


Library of Congress Cataloging-in-Publication Data


Fung, Eddie, 1922–


The adventures of Eddie Fung : Chinatown kid, Texas cowboy, prisoner of war


/ edited by Judy Yung.


p. cm.


Includes bibliographical references and index.


isbn 978-0-295-98754-5 (pbk. : alk. paper)


1. Fung, Eddie, 1922– 2. Chinese Americans—Biography. 3. Chinatown (San Francisco,


Calif.)—Biography. 4. San Francisco (Calif.)—Biography. 5. Cowboys—Texas—Biography.


6. World War, 1939–1945—Participation, Chinese American. 7. World War, 1939–1945—


Prisoners and prisons, Japanese. 8. Soldiers—United States—Biography. 9. Prisoners of war


—United States—Biography. 10. Prisoners of war—Burma—Biography.


I. Yung, Judy. II. Title.


e184.c5f86 2007 940.54'7252092—dc22 [B] 2007019488


The paper used in this publication is acid-free and 90 percent recycled from at least 50 percent


post-consumer waste. It meets the minimum requirements of American National Standard


for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48–


1984.8A


Cover photo: Eddie lighting a firecracker in Chinatown during the New Year celebration,


1935. Courtesy San Francisco History Center, San Francisco Public Library.


FOR LOI S AND ALL MY BUDDIES IN THE LOST BATTALION


C O N T E N T S


P R E F A C E · I X


A C K N O W L E D G M E N T S · X V


I N T R O D U C T I O N · X V I I


O N E · G R O W I N G U P I N C H I N A T O W N · 3


T W O · A C H I N E S E C O W B O Y I N T E X A S · 4 5


T H R E E · A G O O D S O L D I E R · 6 8


F O U R · A P R I S O N E R O F T H E J A P A N E S E · 9 6


F I V E · A P O W S U R V I V O R · 1 3 9


S I X · L E A R N I N G T O L I V E W I T H M Y S E L F · 1 6 3


C H R O N O L O G Y · 2 0 9


N O T E S · 2 1 1


B I B L I O G R A P H Y · 2 1 9


I N D E X · 2 2 3


P R E F A C E


I first met Eddie Fung in the summer of 2002. I was working on my fifthbook, Chinese American Voices: From the Gold Rush to the Present, andI needed a World War II story, preferably one told from the perspec- tive of a Chinese American veteran. I asked Colonel Bill Strobridge, a mil-


itary historian who had conducted a study of Chinese Americans in World


War II, if he could find me someone to interview. He came up with two


possibilities. The first person had fought heroically in the front lines at Nor-


mandy, but he turned out to be a poor storyteller, one who gave short


answers and stuck to the facts. Even though I conducted the interview in


Chinese and did my best to make him feel comfortable, I could not get him


to elaborate on the story or share his feelings on the matter. So I made


arrangements to meet the second possibility, Eddie Fung, hoping that he


would prove to be a more engaging storyteller.


We agreed to do the interview at Colonel Strobridge’s home in San Fran-


cisco. Prior to the interview, I did some background checking on Eddie Fung.


I found out that he was an American-born Chinese who had grown up in


San Francisco Chinatown like me, only he had preceded me by two


decades. I was fifty-six years old, and he had just turned eighty. Colonel


Strobridge also told me that Eddie had the dubious distinction of being


the only Chinese American soldier to be captured by the Japanese during


World War II and that he had worked on the Burma-Siam railroad made


IX


famous by the film Bridge on the River Kwai. Not knowing much about that


history, I made a point of seeing the film before the interview. I was horrified


by the brutal treatment of the prisoners under the Japanese and impressed


by the courage and heroic actions of the POWs in the film. I hoped that


Eddie would be forthcoming with details about how he as a Chinese Amer-


ican had fared and survived under such circumstances. The other inter-


esting thing that I found out about Eddie was that he had run away from


home to become a cowboy when he was sixteen. I was intrigued—a Chi-


nese American cowboy? Although it was the World War II story I needed,


I decided I would start at the beginning with his family history in order to


get a fuller picture of his life and to put his World War II experience into


a larger context.


Having conducted over 400 interviews with Chinese Americans for var-


ious book projects by then, I thought I had allowed plenty of time for his


story—three whole hours. This interview, however, turned out differently.


A solidly built man of short stature—5 feet 3 inches, and 120 pounds, to be


exact—Eddie proved to be a natural storyteller with a fantastic memory


for details, a precise way of expressing himself, a wonderful sense of


humor, and a strong determination to tell the story right. In essence, he is


every oral historian’s dream come true. He also proved to be an unusual


interviewee in that he was both introspective and analytical in his responses.


I soon found out that he had an indirect way of answering my questions,


often recreating conversations and connecting specific incidents from the


past to make his point. Regardless of how long-winded he got, Eddie was


never boring. In fact, he held me spellbound at our first meeting, and before


I knew it, three hours had passed and we had not even gotten to World


War II! Somehow, I got the rest of the story out of him in the next two


hours before I had to leave for my next appointment. He gave me a pile of


books to read about POWs and the Burma-Siam railroad, and I promised


to send him the transcript and edited story for his approval.


It was not until I transcribed his interview that I realized what a gold


mine I had found. I thought, this had to be how historian Theodore Rosen-


garten must have felt when he happened upon Nate Shaw, an illiterate black


sharecropper in Alabama with a story to tell, or how Alex Haley felt when


he was asked to write Malcolm X’s autobiography. They both spent hun-


X · P R E F A C E


dreds of hours interviewing their subjects and countless more writing their


classic oral histories, All God’s Dangers: The Life of Nate Shaw and The Auto-


biography of Malcolm X. I knew instinctively that there was a larger book


to be written, although I did not think at the time that I was the right per-


son to write it. Six months later, after I had completed a draft of his World


War II story for Chinese American Voices, I contacted Eddie and hand-deliv-


ered the transcript and story to him for his approval. At the same time, I


urged him to consider writing his memoirs, but he said with modesty that


his story was not that unique or interesting. “Besides,” he said, “I’m not a


writer.” I continued, however, to press him, and suggested that we do a


longer interview. “If nothing else,” I said, “we could deposit the tapes and


transcript in an archive for the historical record and for the use of other


researchers.” He reluctantly agreed. Retired and a recent widower, he had


the time. For me, the time was right as well, because for the next nine months


I was on sabbatical from my job as professor of American Studies at the


University of California, Santa Cruz. Until then, my research and writing


had primarily focused on Chinese American women. I never thought that


I would be working on a book about a man’s life, but the opportunity was


too good to pass up.


We began meeting on Saturdays in the kitchen of his North Beach flat.


I would set up the tape recorder and come prepared with questions about


a certain period or aspect of his life. The agreement was that we would see


how far we could take his story and that he would be completely open and


honest with me. Although I kept reminding him that he had the right to


refuse to answer any questions that made him feel uncomfortable, he never


did—not even when I asked him about how he lost his virginity. At one


point in our interviews, Eddie said, “You’re the only one who knows the


intimate details of my life. I’ve never even told my wife Lois.” I felt hon-


ored by his complete trust in me and pleased by his willingness to cooper-


ate with me fully. Each session ran for about four hours. I became enthralled


by his story and by his voice. In between our sessions, I would transcribe


the entire interview and come up with follow-up questions for our next


session. One thing for sure, I felt very comfortable with him and looked


forward to each of our weekend sessions.


Into our fifth session together, the unthinkable happened. We were sit-


P R E F A C E · XI


ting on opposite sides of the kitchen table, as usual, and were on the topic


of post-traumatic stress disorder and how Eddie had found a way to deal


with the anger he felt after the war. “The first thing to do is to admit you


have a problem and then what are you going to do about it?” Then he slipped


in, “Just like I would like to come on to you, except that I know that our


age difference—I mean, there’s just no percentage for it. So the only thing


I can do is enjoy your company while you’re here, and that’s it. You under-


stand?” Then, almost in the same breath, he moved on to an incident in


his childhood when his father taught him how to quell his flash temper.


Later, when I listened to the tape and heard what he had tried to tell me, I


felt flattered and troubled at the same time. I did not want to jeopardize


or compromise our professional relationship and the book that was mate-


rializing so well. And there was the age difference—he was old enough to


be my father. After some lengthy telephone conversations in the next few


days, we decided to give in to Cupid’s arrow but continue on with the book


project. Fifty more hours of interviews later, we were married on April Fool’s


Day 2003. We deliberately chose that date because we did not think any of


our family or friends would believe us.


In retrospect, our marriage helped rather than hindered the interview


process and my understanding of how Eddie’s character has been shaped


by his family background and upbringing, his life as a cowboy in Texas,


and his POW experience during World War II. His life story confirms the


wise sayings “We are the sum total of our experiences” and “What does


not break us makes us stronger.” As his wife and (as he calls me) “his


Boswell,” I had immediate access to him and his extensive library collec-


tion on World War II, and I was able to ask him many personal questions


as well as conduct follow-up interviews whenever I wanted. Indeed, I learned


to keep the tape recorder ready and close by in case he came up with any-


thing important and relevant in our daily conversations. In this way, we


completed another twenty-five hours of recorded testimony. I also had


access to his family and relatives, and his POW buddies, all of whom I met


after we were married. However, as I soon discovered, no one really knows


Eddie Fung very well, since he is a very private person. He has been espe-


cially reluctant about speaking of his POW experiences except to other


POWs who share a similar past. As he said, “There is a common bond


XI I · P R E F A C E


between survivors that you cannot get membership into unless you have


paid the initiation fee. This is true of all survivors—they can talk between


and among themselves, but with great reluctance and difficulty to anyone


else.”


As my husband and the subject of the book, Eddie entrusted me with


the writing of his story, but he had the final say over every word in the telling


of that story. I gave him every chapter to review and correct as I wrote it,


and we went over the final revisions together with a fine-tooth comb. Admit-


tedly, I have influenced the outcome of the interview in my choice of ques-


tions and emphasis of focus because of my interest in Chinese American


and women’s history, but I have tried to provide Eddie with ample oppor-


tunities to add subjects or delete anything he did not want included. After


transcribing all the interviews, which amounted to over 1,000 pages of text,


I edited and rearranged selections from his interviews for a smoother read,


while trying to remain faithful to his actual words and way of speaking. At


times I relied on other published accounts and oral history interviews (see


the bibliography) in order to add details or corroborate Eddie’s version of


the story. Ultimately, The Adventures of Eddie Fung is very much a collab-


orative life history project and autobiography of a Chinatown kid, Texas


cowboy, and POW survivor, as told from his memories and in his own


words. Using Rosengarten and Haley as my models and marshalling all my


knowledge, sensitivities, and skills as a Chinese American historian and


writer for this monumental task, my goal has been to do justice to Eddie’s


story as a survivor and to share with readers the many lessons in life that


his story has to offer.


P R E F A C E · XI I I


A C K N O W L E D G M E N T S


Our deepest gratitude goes to the late Colonel Bill Strobridge, for intro-ducing us to each other, and to Ruthanne Lum McCunn, the Fungfamily, and the Yung family, for their unflagging support and encour- agement from the beginning of our relationship through the end of this


book project.


We wish to also acknowledge the following people for assisting us with


our research. Members of the Lost Battalion and the Fung family who shared


their memories of Eddie’s past with us include the late B. D. Fillmore, Willie


Hoover, George Lawley, the late Paul Leatherwood, Luther Prunty, the late


Otto Schwarz, Jessie Jing, and Raymond and Fair Fung. Ronald Marcello,


director of the Oral History Program at the University of North Texas, pro-


vided us with transcripts of interviews he had conducted with Eddie’s war


buddies and guided us to other important sources of information. Harry


Ogg, librarian at the Midland County Public Library, kindly ran down


answers to our questions regarding the history and culture of Texas. Him


Mark Lai and Hiroshi Fukurai helped us with the Chinese place names and


Japanese phrases. And the interlibrary loan staff at McHenry Library, Uni-


versity of California, Santa Cruz, tracked down every book we asked for.


Our difficult search for photographs to go with Eddie’s story was greatly


facilitated by the resourceful staff at the Bancroft Library, California His-


torical Society, San Francisco Public Library, Southwest Collection Library


XV


of Texas Tech University, and Australian War Memorial. Assistance and


photographs were also provided by Robert Dana Charles, Philip Choy, Bill


Fung, Grace Fung, Raymond and Fair Fung, Rosalie Griggs, Fred Haring,


Herbert and Esther Ho, Ken and Yoshiko Ho, Montgomery Hom, Otto


Kreeft, Amanda Lee, Joy Rasbury McLaughlin, Luther Prunty, and Vivian


Thompson. The maps were drawn by cartographer Ellen McElhinny.


Our heartfelt thanks go to Gavan Daws, for his advice and inspiration;


to the following reviewers, who gave us critical feedback on the manuscript:


Valerie Matsumoto, Ruthanne Lum McCunn, Franklin Ng, Irene Reti, Juli-


ana Rousseau, and Helen Zia for their critical feedback on the manuscript;


and to Naomi Pascal, Kerrie Maynes, and the staff at the University of Wash-


ington Press, for their expertise and assistance in bringing The Adventures


of Eddie Fung to light.


XVI · A C K N O W L E D G E M E N T S


I N T R O D UC T I O N


T he way Eddie Fung tells his life story, it has been one adventure afteranother, beginning with the time he ran away from home to be a cow-boy to the time he joined the army and became a prisoner of war. At one level, The Adventures of Eddie Fung is a coming-of-age story, of a young


man’s quest to explore life to its fullest and in the process grow into man-


hood. At another level, Eddie’s story offers us valuable insights into China-


town life in the 1920s, the myth and reality of the American cowboy, and


the survival tactics of a POW.


Very little has been written about the experiences of American-born Chi-


nese in the early twentieth century. Only two autobiographies exist: Pardee


Lowe’s Father and Glorious Descendant and Jade Snow Wong’s Fifth Chi-


nese Daughter. Both books were published by major publishing houses at


a time when U.S.-China relations were at their best and little was known


about Chinese Americans.1 The authors go to great lengths to explain Chi-


nese family life and customs to an American audience and at the same time


recount their problems dealing with intergenerational conflict at home and


assimilation into mainstream society. Ultimately, Pardee Lowe and Jade


Snow Wong demonstrate to readers how it is possible to “blend the


conflicting streams of Chinese and American thought” and transcend racial


prejudice without feeling embittered or immobilized. As Wong wrote in


XVI I


the 1989 edition of her book, “Despite prejudice, I was never discouraged


from carrying out my creed; because of prejudice, the effort is ongoing.”2


Eddie Fung tells a distinctly different story of Chinese American life in


the 1920s and 1930s. He does not speak in the voice of a cultural ambassa-


dor, to satisfy the curiosity or assuage the guilt of white America, but from


the retrospective perspective of a wayward son who has come to terms with


his ethnic identity. Eddie has fond memories of his childhood, bathed in


the love and protection of his family and the old bachelor society of China-


town. He recalls how the family and neighbors pulled together during the


Depression and how his immigrant parents taught him to be frugal, self-


reliant, resourceful, and a responsible member of society.


There is, however, also a dark side to living in Chinatown that Eddie


shares with us. Growing up in the shadows of Chinese Exclusion, when


anti-Chinese laws prohibited Chinese immigration and severely restricted


Chinese American life, he resented the ghetto conditions and mentality of


Chinatown. Many of the Chinese were illegal immigrants who had come


to this country posed as “paper sons” of a merchant or U.S. citizen in order


to circumvent the Chinese Exclusion Act of 1882, which barred the further


immigration of Chinese laborers to this country.3 Eddie’s own father


crossed the Canadian border surreptitiously as the “manservant of a Cau-


casian gentleman.” He later found a way to bring his wife and two adopted


sons from China as a “paper wife” and as “paper sons.” Always fearful of


being discovered and deported, his father never explained to him why


Eddie’s older brothers had different surnames from the rest of the family


or why he could not return to Canada or China for a visit. At the time, Eddie


thought this duplicity and secrecy was just the way it was for people in Chi-


natown. Just about everyone lived in overcrowded tenement apartments


and seemed afraid of venturing outside the boundaries of Chinatown. It


was not until Eddie left home for summer camp and work as a live-in house-


boy that he realized other people did not live the same way. They had spa-


cious houses with front yards and backyards. “Okay, people don’t have to


live in Chinatown in cold-water flats,” he reasoned. Certainly, he did not


want to continue living that way, so he began to plan his escape.


Eddie had another reason for wanting to leave home—he resented his


strict upbringing. Like many other second-generation Chinese Americans,


XVI I I · I N T R O D U C T I O N


he was expected to do well in American school and Chinese school, to help


out at home, to be obedient and respectful to his elders, to follow Chinese


customs, and to never bring shame to the family by misbehaving. Yet at


American school, through books and movies, and in his contacts with the


outside world, he was encouraged to be a rugged individualist, to speak


his mind, and to pursue any line of work or lifestyle he pleased. Many Chi-


nese Americans at this time were torn between following the Chinese ways


of their parents and following the American ways of mainstream society.4


Eddie learned to accommodate cultural conflicts as they arose. “You might


say that our generation had split personalities,” he explained. “When we


were inside the house, we were completely Chinese. When we were out-


side the house, we could be either all Chinese or all American or half and


half.” Being the curious and rambunctious kid he was, Eddie could not


always meet his parents’ expectations, nor be satisfied with the restrictions


of Chinatown life. Yearning to explore the wider world and to pursue the


romantic life of a cowboy on horseback, he decided to strike out on his


own and try his luck in Texas. This decision would set Eddie apart from


his Chinese American peers, most of whom remained stuck in Chinatown


until World War II, when racial discrimination lessened and opportuni-


ties opened up for them.


By the time Eddie arrived in Texas in 1938, the Depression was drawing


to a close and the cowboy days of cattle drives and open ranges that he had


dreamed of were long gone. After the railroads came to Texas, getting the


cattle to market became easier. Fewer men were needed to drive the smaller


herds of cattle to the shipping points. Fenced ranching allowed ranchers


to keep track of their cattle and to improve on their breed, but it meant


that cowboys could no longer roam the open range with the cattle. Most


work became seasonal, when cowhands were needed for the spring and fall


roundups and branding. The rest of the year they were put to work main-


taining windmills, repairing fences, and doing farm chores. Instead of the


idyllic life Eddie had imagined, where “all you have to do is ride a horse


and maybe herd a few cows,” it turned out to be nothing but hard work.


Any experienced cowpuncher could have told him, “He [would be] poorly


fed, underpaid, overworked, deprived of sleep, and prone to boredom and


loneliness.”5


I N T R O D U C T I O N · XIX


Considering how small in stature and how inexperienced Eddie was, it


is amazing that anyone hired him. Eddie credits his success in landing a


job to his eagerness to learn and his willingness to accept the low wage of


ten dollars a month. His success also attests to the openness and friendli-


ness of ranchers who were willing to give a young man an opportunity to


prove himself. As Eddie found out, there was less racial discrimination on


the ranch than in town. In 1940, African Americans and Mexicans made


up 15 percent and 12 percent of the population in Texas, respectively. They


each formed about 14 percent of the cowboy population. Although Jim Crow


codes were still strictly enforced, cowboys of color were tolerated on the


ranch as long as they had the skills to do the job.6 In contrast, there were


only 1,785 Asians (Chinese and Japanese Americans) in Texas in 1940,


accounting for less than 1 percent of the population. Most of the Japanese


were rice farmers in the Houston area, while the Chinese operated laun-


dries, cafés, and grocery stores, and lived in segregated communities in El


Paso and San Antonio. Small in number and not considered an economic


threat to the Anglo population, the Chinese occupied a “gray area” in the


black-white racial hierarchy in Texas. They were tolerated and better


treated than African Americans and Mexicans, although in 1937 Anglo com-


petitors did try to get an anti-alien land law passed that would have driven


Chinese grocers out of business. The measure failed, however, due to oppo-


sition from the Chinese community.7


Eddie Fung may well have been the only Chinese cowboy in West Texas


at the time, and as such he was treated more as a novelty than a threat. As


he said, “I was only five feet tall and nonthreatening, so most people took


me to be nothing more than a young adventurer.” The one Chinese stereo-


type that stuck to him, however, was that of the proverbial cook or house-


boy. Eddie was offered that job more than once, but each time he refused,


even though it meant higher wages and easier work. He had come to Texas


to be a cowboy, and by the end of his second year he had proven to him-


self and to others that regardless of ethnicity or size he could do any job


assigned to him.


From the vantage point of a Chinatown kid, Eddie shares with us what


it was like to be a Texas cowboy in the 1930s. His first job at the Scarborough


ranch taught him that cowboys worked hard from sunup to sunset. He had


XX · I N T R O D U C T I O N


to be a jack-of-all-trades—part mechanic, part vet, and part carpenter—


in order to do all the tasks required of him. At his first roundup, Eddie


learned how to flank a calf that was three times his weight. He also came


to appreciate the code of conduct that most Texas cowboys still abide by—


a mixture of rugged individualism, neighborly cooperation, and a strong


sense of honor. “If a man gave you his word, there would be no need for


a contract,” Eddie said. “And if you wanted to be formal about it, you shook


hands—that was ironclad.” Contrary to the image of the uncouth and une-


ducated cowboy he had seen on the movie screen, most of the cowboys he


came to know were gentle, courteous, and knowledgeable, and they were


more than willing to show this greenhorn the tricks of the trade.8 By the


time Eddie was ready to move on to his next adventure, he realized how


much he had grown under their tutelage. What he did not know then was


how this education would help him become a good soldier and survivor


in prison camp.


Most young Texans who joined the National Guard in the 1930s did it


for the pay. Some did it for adventure or to make military service their career.


But as far as Eddie was concerned, “Here’s another place where I can be


around horses—I can join the cavalry!” By the time he got to Lubbock,


Texas, to inquire about joining the army in May of 1940, Italy had seized


Ethiopia, Japan had invaded China, and Germany had swept through most


of Europe. Unbeknownst to Eddie, the United States was heading for war,


and plans were being made to call for the draft and to mobilize the National


Guard. Too young to be admitted into the army without parental consent,


Eddie signed up with the Texas National Guard instead. Although he was


the only Chinese American in his military unit, he never felt out of place


and recalls that he got along fine with all the other men. His size posed more


of a problem than his race or ethnicity. But once he proved that he could


pull his share of the weight and pass basic training, he earned the respect


of his officers and fellow soldiers.


Approximately one million African Americans, 33,000 Japanese Amer-


icans, and 15,000 Chinese Americans served in the U.S. armed forces dur-


ing World War II. Until desegregation in the military was banned by


executive order in 1948, African Americans were segregated into separate


barracks and units and generally assigned menial duties. Because Japanese


I N T R O D U C T I O N · XXI


Americans were considered “enemy aliens” after Japan attacked Pearl Har-


bor, they were only allowed to serve in the Military Intelligence Service


in the Pacific theater or in the all-Japanese 100th Battalion and 442nd Reg-


imental Combat Team in the European theater. In contrast, Chinese Amer-


icans were integrated into all branches of the military, with the exception


of 1,200 men who were assigned to two all-Chinese units in the China-


Burma-India theater.9 With China and the United States at war against


Japan, many Chinese Americans joined out of a strong sense of Chinese


nationalism and American patriotism. Like Eddie, they experienced no


blatant discrimination, and many would agree with Private Charles Leong,


who wrote in 1944, “To G.I. Joe Wong in the army, a ‘Chinaman’s Chance’


means a fair chance, not based on race or creed, but on the stuff of the


man who wears the uniform of the U.S. Army.”10 In truth, Chinese Amer-


icans were caught between the white-over-black paradigm of race rela-


tions in the army. They did not suffer the same bigotry directed at African


Americans, but neither were they fully accepted as equals by their white


counterparts.11


While Eddie was training to be a machine gunner at Camp Bowie, Texas,


war escalated on the two continents. Germany attacked the Balkans and


Russia, and Japan, now a part of the Axis powers, took the French colonies


of Indochina. As negotiations with Japan deteriorated, President Franklin D.


Roosevelt froze all Japanese assets in America, stopped oil supplies to Japan,


and made General Douglas MacArthur commander of the U.S. Army in


the Far East. Paralyzed financially and starved for the raw materials needed


to keep its war machine going, Japan activated its plans to take over Asia.


In November of 1941, Eddie’s battalion was sent to the Philippines as


reinforcements. En route to the Philippines, he recalls, Pearl Harbor was


attacked, and his convoy was diverted to Australia. From there, the 2nd


battalion was sent to Java to help the Netherlands defend its colonial out-


post. They were no match for the Japanese army. Within a few days, the


battle for Java was over, and Eddie became one of 140,000 Allied soldiers


to be captured by the Japanese in the Pacific theater.12 Along with 61,000


American, British, Australian, and Dutch prisoners, Eddie was sent to work


on the Burma-Siam railroad—the largest use of POWs in any single


project in the Pacific war. For the next forty-two months of captivity, the


XXI I · I N T R O D U C T I O N


men would suffer unimaginable brutality, diseases, and starvation in the


POW camps. Those who survived the harrowing ordeal would bear the


physical and mental scars of incarceration for the rest of their lives. Thus


the refrain that is familiar to all of them, “We can forgive, but we can never


forget.”


Many books have been published and films made about the Pacific war,


the experiences of POWs, and the building of the Burma-Siam railroad—


the most well known being Bridge on the River Kwai. The 1957 Oscar-win-


ning movie, however, gives a misleading account of how the bridge was


built and destroyed as well as an erroneous impression of the relationships


between the Japanese military, British commander, and prison labor


force.13 More accurate accounts can be found in Gavan Daws’s Prisoners of


the Japanese: POWs of World War II in the Pacific and Clifford Kinvig’s River


Kwai Railway: The Story of the Burma-Siam Railroad.14 By now, there are


also numerous oral histories and memoirs by POW survivors, many of


whom worked on the “Death Railroad.”15 They each tell a different story


about the life of a POW because no one was alike in their reaction to and


interaction with their captors, nor in the way that they perceived and remem-


bered the same events. Gavan Daws points out in his book, “Nationality


determined the way POWs lived and died, and often whether they lived or


died.”16 As Eddie’s story bears out, personality and ethnicity were deter-


mining factors in the matter. What makes The Adventures of Eddie Fung


different from other first-person accounts is Eddie’s unique perspective and


experiences as the only Chinese American to be captured by the Japanese.


According to Eddie, the first thing that crossed his mind after Allied forces


capitulated to the Japanese on March 8, 1942, was, “My God, what are they


going to do to Foo and me?” Eddie Fung and Frank “Foo” Fujita were the


only two Asian American soldiers to be captured by the Japanese in what


has been termed a war between the “yellow” race and the “white” race.17


The assumption was that both would be immediately spotted by the Japa-


nese, then tortured and killed for betraying the “yellow” race. Foo, whose


father was Japanese and whose mother was a white American, was able to


hide his racial background until his Japanese surname betrayed him in


Nagasaki, where he was sent to work in the shipyards while Eddie was sent


to Burma to work on the railroad. Foo steadfastly refused to denounce the


I N T R O D U C T I O N · XXI I I


United States and participate in propaganda work in Japan, and as a result


he was brutally beaten and assigned to latrine duty.18 As for Eddie, although


he was sometimes beaten because he was Chinese, he was never tortured.


Instead, he found that his Chinese upbringing made it easier for him to


adjust to the meager rice-and-vegetable diet, and to find ways to supple-


ment it with throwaways such as animal organs and fish heads. Even his


limited command of the Chinese language came in handy. It allowed him


to trade with the local Chinese and to help his commanding officer com-


municate in writing with the Japanese engineers. Moreover, the domestic


and scrounging skills he had acquired as a Chinatown kid proved useful in


the camps. For example, Eddie was able to show the cooks how to use a


wok, and the food and medicine he scrounged helped him and others to


survive. In fact, it was while a prisoner of the Japanese that Eddie learned


to appreciate his Chinese background, “I had finally come to terms with


my past, and I was looking forward to going home and telling my mother,


‘Okay, Mom, I understand what you and Pop have been trying to get


through to me—about what it means to be Chinese—and I’m going to try


and live up to it.’”

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