Mary evans picture library alamy

1. What is Global Stratification? please quote from the textbook. (1 point)

2. Compare and contrast World System Theory with Neocolonialism. What are some strengths and some weakness of these two theories? Please quote the textbook. (2 points)

Reading

Chapter 9 (Global Stratification)

About the Author: p. 1: Anita Henslin

Chapter 1: p. 2–3: ©Majority World/The Image Works; p. 4: ©Victor Engle- bert/Time Life Pictures/Getty Images; p. 6: ©Roger-Viollet/The Image Works; p. 7, top: ©Huton-Deutsch Collection/Corbis; bottom: ©Bettmann/Corbis; p. 8: ©Bettmann/Corbis; p. 9: The Granger Collection, New York; p. 10: (Gilman): Hulton Archive/Getty Images; (Cooper): The Granger Collection, New York; (Wells-Barnett): R. Gates/Hulton Archive/Getty Images; (Kelley, Perkins & Paul): Bettmann/Corbis; (Webb): Mary Evans Picture Library/The Image Works; (Balch): Wellesley College Archives; (Abbott & Talbot): The University of Chicago Library Special Collections Research Center; p. 11: ©Corbis; p. 12: ©The New York Public Library/Art Resource, NY; p. 16: ©Alexander Burkatovski/Corbis; p. 21: Barry Batchelor/PA Photos/Landov; p. 24, top: David Young-Wolff/ PhotoEdit Inc.; p. 25: fotoshoot/Alamy Royalty Free; p. 26: ©Dinodia/The Image Works; p. 27: Paresh Gandhi Courtesy of Sudhir Venkatesh, Columbia University; p. 31: ©Drew Crawford/The Image Works

Chapter 2: p. 36–7: Martin Harvey/Alamy; p. 40: Gary Porter/Milwaukee Jour- nal Sentinel/Newscom; p. 41: AP Images/Daniel Ochoa de Olza; p. 42: B. Decon- inck/The Image Works; p. 43 (Ecuador): John and Lisa Merrill/Corbis; (New Guinea): Danita Delimont/Alamy; (Thailand): Jean-Pierre Lescourret/Corbis; (China): Panorama/The Image Works; (Cameroon): Bill Bachmann/The Image Works; (Tibet): Picture Finders Ltd./eStock Photo; (Kenya): Keren Su/The Image Bank/Getty Images; (United States): Helen King/Corbis; p. 44: James M. Henslin; p. 45 (3 hands): David Young-Wolff/PhotoEdit; (dog): Steve Hamblin/Alamy Royalty Free; (plant): Tony Freeman/PhotoEdit, Inc.; (girl): Michael Newman/PhotoEdit, Inc.; p. 46: Richard Lord/The Image Works; p. 47: Jeff Greenberg/PhotoEdit, Inc.; p. 49: Sonda Dawes/The Image Works; p. 50, top: Tiffany Warmowski/The Image Works; bottom: REUTERS/Dan Riedlhuber/ Landov; p. 52: Peter Morgan/Reuters; p. 53 (cabbie): David R. Frazier Photoli- brary, Inc./Alamy; (rodeo): Journal-Courier/Steve Warmowski/The Image Works; (model): Kokyat Choong/The Image Works; (dancer): Bonnie Kamin/PhotoEdit, Inc.; (tattoos): NNS/The Oregonian/Landov; (weight lifter): Pat Thielen/Alamy; (roller derby): Uli Seit/The New York Times/Redux; (sports fan): Kansas City Star/MCT/Landov; p. 55: RKO Pictures/Getty Images; p. 56: Mark Peterson/ Redux; p. 57: Clarke Memorial Museum, Eureka, California; p. 60: PhotoAlto/ Alamy Royalty Free; p. 62: Peter Kneffel/dpa/Landov

Chapter 3: p. 64–5: ©Jeff Greenberg/The Image Works; p. 66: James M. Henslin; p. 67: Frank Siteman Photography; p. 68: Zoriah/The Image Works; p. 69: Nina Leen/Time Life Pictures/Getty Images; p. 71: Ariel Skelley/Corbis; p. 72, top: Syracuse Newspapers/H. Bragman/The Image Works; bottom: Bill Anderson/Photo Researchers, Inc.; p. 74: ©Mary Evans Picture Library/The Image Works; p. 76, from left: James Marshall/The Image Works; Elie Bernager/Digital Vision/Getty Images Royalty Free; AP Images/Mary Altaffer; AP Images/Laurent Rebours; Tim Graham Picture Library/Getty Images; p. 78, bottom, Gavriel Jecan/www.DanitaDelimont.com; p. 79: Stuart Freedman/Cor- bis; p. 81: Courtesy Everett Collection; p. 82, left: Vince Maher/WENN/News- com; right: SHNS photo courtesy Eido via Newscom; p. 83: Lannis Waters/The Palm Beach Post; p. 85: AsiaPix/Getty Images Royalty Free; p. 86: Bob Daemm- rich/The Image Works; p. 87: Ellen Senisi/The Image Works; p. 89: Norm Rowan/The Image Works; p. 90: The Gallery Collection/Corbis; p. 91: Michael MacIntyre/The Hutchison Library; p. 93: AP Images

Chapter 4: p. 96–7: Ryuhei Shindo/Getty Images; p. 99: Bettmann/Corbis; p. 100: Picture Contact/Alamy; p. 102: UPI Photo/Landov; p. 104: Spencer Grant/PhotoEdit, Inc.; p. 106: Mike Maple/Woodfin Camp & Associates; p. 108, left: Michaela Rehlem/Reuters/Landov; right: Gero Breloer/dpa/Landov; p. 109: ClassicStock/Alamy; p. 110: ©Gillian Laub; p. 111, left: AP Images; right: mauricius images/GmbH/Alamy; p. 112, left: Michael Newman/ PhotoEdit, Inc.; right: Roy Hsu/Getty Images; p. 113: Joson/zefa/Corbis; p. 114: Scott Garfield/©ABC/Courtesy Everett Collection; p. 117, left: Empics/Landov; right: Mike Blake/Reuters/Corbis; p. 118: Ian Waldie/Getty Images; p. 122–3: James M. Henslin

Chapter 5: p. 126–7: Paulo Fridman/Corbis; p. 128: RIA Novosti/Topham/ The Image Works; p. 130: John Warburton-Lee/www.DanitaDelimont .com; p. 133: Friedrich Stark/Alamy; p. 134: Stockbyte/Getty Images Royalty Free; p. 136, clockwise from upper left: Ben Molyneux/Alamy; Image Source/Corbis; Matt Henry/Stone/Getty Images; Alex Segre/Alamy; Lee

Snider/The Image Works; Andrew Fox/Corbis; p. 138: AP Images; p. 139, left: AP Images/www.imagesource.com; right: Michael Newman/PhotoEdit, Inc.; p. 141: AFP PHOTO/Toru YAMANAKA via Newscom; p. 142: Christina Kennedy/Getty Images; p. 144: Pictorial Press Ltd/Alamy; p. 146: Arnold Gold/New Haven Register/The Image Works; p. 147: Courtesy of Alexandra Milgram. Copyright 1968 by Stanley Milgram. Copyright renewed 1993 by Alexandra Milgram. From the film OBEDIENCE, distributed by Penn State Media Sales

Chapter 6: p. 152–3: Ed Kashi/Corbis; p. 154: James M. Henslin; p. 155: Robert Estall photo agency/Alamy; p. 156: REUTERS/Babu/Landov; p. 157: ROBERTO SCHMIDT/AFP/Getty Images; p. 158: Jeff Greenberg/The Image Works; p. 159: REUTERS/Stefano Renna-AGN/Landov; p. 160: AP Images; p. 161: Bettmann/Corbis; p. 162: Jay Paul/Bloomberg News/Landov; p. 164: Roman/AgeFotoStock; p. 166: Pam Francis/Liaison/Getty Images; p. 167: A. Ramey/PhotoEdit, Inc.; p. 169: Corbis; p. 173: Albrechtsen Foto; p. 176: Bettmann/Corbis; p. 178: REUTERS/Rebecca Cook/Landov; p. 179: AP Images; p. 180: Lee Snider/The Image Works

Chapter 7: p. 184–5: ©Lauren Salkin/Zuma/Corbis; p. 186: ©Hulton Archive/Getty Images; p. 187–8: James M. Henslin; p. 195: ©Les Stone/Zuma; p. 201, left: Jacob Riis/Bettmann/Corbis; right: Bettmann/Corbis; p. 203, from left: ©Peter Andrews/Corbis; ©Nathanial S. Butler/NBAE via Getty Images; All- star Picture Library/Alamy; Francis Specker/Landov; p. 206: ©Brian Smith/Cor- bis Outline; p. 209: ©Karim Sahib/AFP/Getty Images; p. 210: Doral Chenoweth III/Columbus Dispatch/Corbis Sygma; p. 211: ©Dan Levine/ AFP/Getty Im- ages; p. 215, left: ©Animal Fair Media/Getty Images; right: ©Marlo Tama/Getty Images; p. 218: ©Wireimage/ Getty Images; p. 219, top: Library of Congress Image #USF34-T01-009095-C; p. 222: James M. Henslin

Chapter 8: p. 226–7: Picture Contact/Alamy; p. 229: (Mexico): Greg Vaughn/Alamy; (Jordan): Franz Lemmens/Getty Images; (Kenya): Frans Lant- ing/Corbis; (Ethiopia): Rob Howard/Corbis; (Brazil): Reuters/Corbis; (Chile): Art Wolfe/Getty Images; (India): Jon Arnold Images Ltd/Alamy; (Tibet): Jeremy Horner/Corbis; p. 230: Courtesy of Cynthia Fuchs Epstein; p. 231: Photo by Mitchell Meltzer, courtesy of Steven Goldberg; p. 232: Thomas Dallal/SIPA PRESS/girlboy.06/0405170300; p. 233: Bettmann/Corbis; p. 234: Jeremy Horner/Corbis; p. 235: Ulla Kimmig/laif/Redux; p. 236, top: Hamid Sardar/Corbis; bottom: Peter Parks/AFP/Getty Images; p. 237: Kazuyoshi No- machi/Corbis; p. 238–9: James M. Henslin; p. 240: Louise Gubb/SABA/Cor- bis; p. 241: Hulton-Deutsch Collection/Corbis; p. 242: Bettmann/Corbis; p. 244: Woods Wheatcroft/Aurora Photos; p. 245: REUTERS/Jeff J Mitchell/Landov; p. 246: FURGOLLE/Image Point FR/Corbis; p. 248: Peter M. Fisher/Corbis; p. 253: Ben Baker/Redux; p. 255: AP Images/Gautam Singh; p. 257: Xinhua/Landov

Chapter 9: p. 262–3: ©Steve Bly/Alamy; p. 264: PA Photos/Landov; p. 265: Reuters/Mike Blake/Landov; p. 266, left: Time Life Pictures/Getty Images; right: AP Images; p. 267: David R. Frazier/PhotoEdit, Inc.; p. 268: Jim Hol- lander/Reuters/Landov; p. 270, clockwise from upper left: AP Photo/Jesicca Griffin; A. Ramey/PhotoEdit, Inc.; Rob Crandall/The Image Works; Natalie Fobes/Corbis; AP Photo/Lincoln Journal Star, Ken Blackbird; p. 271: Bettmann/Corbis; p. 277: ©Wildlife Conservation Society; p. 278: Hulton Archive/Getty Images; p. 279: Jim West/PhotoEdit, Inc.; p. 280: Digital Vi- sion Ltd./SuperStock Royalty Free; p. 282: Adrianne Starnes/Landov; p. 284: A. Ramey/PhotoEdit, Inc.; p. 285: U.S. Coast Guard/HO/Landov; p. 287: Fred Blackwell; p. 288: AP Images/Charles Dharapak; p. 289: Ted Thai/Time Life Pictures/Getty Images; p. 290: AP Images; p. 292: Michael Newman /PhotoEdit, Inc.; p. 293: Zogbaum/North Wind Picture Archives; p. 297: Steve Chenn/Corbis

Chapter 10: p. 300–1: Gary Roebuck/Alamy; p. 302: Courtesy of the National Parenting Association (NPA), N.Y. copyright 1994 by the NPA; p. 307 & 309: James M. Henslin; p. 311: AP Images/Beth Hall; p. 314: AP Images/Jupiter Images Royalty Free; p. 316: Jeff Greenberg/The Image Works; p. 317: John Berry/Syracuse Newspapers/The Image Works; p. 319: AP Images/Hillcrest Hospital; p. 320: Kimberly White/Corbis; p. 326: HO/AFP /Getty Images via Newscom; p. 327: Gabriel Bouys/AFP/Getty Images; p. 328, both: Courtesy of the National Parenting Association (NPA), N.Y.; p. 331: Lannis Waters/The Palm Beach Post

PHOTO CREDITS

PC

www.imagesource.com
www.DanitaDelimont.com
www.DanitaDelimont.com
www.DanitaDelimont.com