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Pablo picasso melting clocks

08/01/2021 Client: saad24vbs Deadline: 10 Days

Zach Falasz Art 203


Museum Compare and Contrast Essay


Art is an ever-changing discipline. As time progresses, movements, styles,


and people become outdated. Adjustments are made and people forgotten.


Nevertheless, as long as creative minds still roam the earth, inspiration will be


drawn from Pablo Picasso and Salvador Dali. Although painting in different styles


for much of their lives, both instituted profound meaning and elegance into their


work. Comparisons and differences alike will be entertained throughout by


investigating pallet, style, and viewer interpretation.


Pablo Picasso’s The Old Guitarist is an oil painting composed in Madrid


between 1903 and 1904. It was illustrated during his blue period, lasting from


1901-1904, triggered by the suicide of a close friend. During this time, Picasso used


a “monochromatic pallet, flattened form, and tragic, sorrowful themes” (The Art


Institute of Chicago). The blue motif slated in The Old Guitarist speaks to the


heartbreak Picasso felt for the years following his friend’s death. The old man,


portrayed skeletal and weak, is sitting cross-legged in dim lighting, either outside


during the night or inside with the lights dimmed. His skin is painted a sickly bluish-


white in accordance with his hair, which lacks colors and fullness. His clothes,


ripped and torn, resemble rags. The only captivating form in the work is the old


man’s guitar. The guitar, breaking away from the grim pallet, fractures the despair


otherwise surrounding the old man. It has been said, although destitute, that the old


man is oblivious to his dejected surroundings due to the hope he receives by means


of his guitar.


Zach Falasz Art 203


Salvador Dali produced one of his most iconic pieces in 1931. Setting oil to


canvas, Dali created The Persistence of Memory, a surrealist work that is 9 ½ inches


tall and 13 inches wide. Dali, an outspoken and extravagant individual, joined the


surrealist movement two years previous to The Persistence of Memory. Dali, when


asked about his work, stated they were like “hand-painted dream photographs”


(Salvador Dali and Surrealism). This statement could not be more accurate,


especially when analyzing the improbable forms depicted in The Persistence of


Memory. One clock melts off the side of the table while a tree, now dead, has another


melting clock resting over a lifeless limb. A closed pocket watch covered in ants lies


in the foreground. At the center of the canvas, an unrecognizable, unanimated white


beast and, laying over it, another melting clock. The white beast represents


metamorphosis, a device Dali and other Surrealists used to “merge human, vegetal


and animal forms into a single unit” (Salvador Dali and Surrealism). By placing


impossible realities of authentic objects recognizable to humans in the work, Dali


allows only one way for humans to see such inconceivable matter: in his work and in


their dreams.


The Old Guitarist and The Persistence of Memory have opposing color pallets


that work to create differing outcomes in each work. Picasso’s blue monochromatic


pallet is utilized to create a somber mood and is especially achieved when paired


with the skeletal, downtrodden man. The Persistence of Memory adopts mostly


earthen tones with the exception of white and blue. The earthen complexion does


not compare to the gloomy extent of The Old Guitarist, however, it does add to the


barrenness of Dali’s work. Excluding the clocks and the white beast, the white and


Zach Falasz Art 203


blue are serviced in the background of the piece in the sky and sea. The two works


have contrasting suggestions of color and how it relates to life as it dwindles in The


Old Guitarist while The Persistence of Memory lacks vigor altogether.


Two contrasting styles were employed to create The Old Guitarist and The


Persistence of Memory. Picasso used expressionism, a movement in which artists


perceived the world from a subjective standpoint, to emotionally disturb the viewer.


Dali exercised surrealism, a movement in which “artists sought to channel the


unconscious as a means to unlock the power of the imagination” (Surrealism


Movement, Artists and Major Works). While it is true that both paintings enable the


viewer to use their insight to draw significance from the work, The Persistence of


Memory allows a wider range of conclusions to be drawn. In this particular case,


Picasso wants his observer to fathom the level of anguish the old man feels. Dali, on


the other hand, allows the viewer to ascertain any meaning behind his art.


Unlike The Old Guitarist, The Persistence of Memory has no discernable


interpretation. While art critics have entertained the possibility of both The Old


Guitarist and The Persistence of Memory having characteristics of self-portraits, more


distinct conclusions can be drawn to Picasso and the guitarist than Dali and the


white beast. Many believe Picasso saw himself in the old man during his blue period


– art his only hope in a downtrodden time. Picasso often related to the poor, as he


himself was poverty-stricken in 1902. On the other hand, Dali, an extravagant


individual, might have identified with the white beast when creating it. A one-of-a-


kind individual creating an unconventional beast in an eccentric scene is a legacy a


surrealist such as Dali would have wanted to leave behind.


Zach Falasz Art 203


Pablo Picasso and Salvador Dali had more differences than similarities


during their lives. Dali acted outlandish at times, even arriving to an art show in a


diving suit. Picasso often worked in solitude, his paintings reflecting periods of his


life. While it may be easier to see the differences in their styles, pallets, and


meanings, the two men shared a bond that will associate them for eternity: exquisite


art. At the core of their beings, both were Spanish men who spent their days


creating beautiful images for all to adore. For that reason, they were more alike than


different.


Zach Falasz Art 203


"The Persistence of Memory." The Museum of Modern Art. The Museum of Modern


Art, n.d. Web. 18 Nov. 2016.


"Surrealism Movement, Artists and Major Works." The Art Story. The Art Story


Foundation, n.d. Web. 18 Nov. 2016.


"The Art Institute of Chicago." The Old Guitarist. The Art Institute of Chicago, n.d.


Web. 18 Nov. 2016.


"Salvador Dali and Surrealism." Art Beyond Sight. Art Beyond Sight, n.d. Web. 17


Nov. 2016.


Zach Falasz Art 203

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