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ISBN-13: 978-0-13-409914-9 ISBN-10: 0-13-409914-1

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An Introduction to Literature

LITERATURE FOR COMPOSITION

ELEVENTH EDITION

SYLVAN BARNET WILLIAM BURTO WILLIAM E. CAIN CHERYL NIXON

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BREAK THROUGH To learning reimagined

When students are engaged deeply, they learn more effectively and perform better in their courses. This simple fact inspired the creation of REVEL: an immersive learning experience designed for the way today’s students read, think, and learn. Built in collaboration with educators and students nationwide, REVEL is the newest, fully digital way to deliver respected Pearson content.

REVEL for Literature for Composition enlivens course content with media interactives and assessments— integrated directly within the authors’ narrative—that provide opportunities for students to read about and practice course material in tandem. This immersive educational technology boosts student engagement, which leads to better understanding of concepts and improved performance throughout the course.

An exceptional value, REVEL is more affordable than comparable print and digital options, and long-term access for students is part of the deal. Learn more about REVEL’s pricing options at www.pearsonhighered.com/REVEL.

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Educational technology designed for the way today’s students read, think, and learn

REVEL™

LITERATURE FOR COM POSITION

A n Introduction to Literature

ELEVENTH EDITION

BARNET BURTO CAIN

NIXON

Integrated Writing Assignments Minimal-stakes, low-stakes, and high-stakes writing tasks allow students multiple opportunities to interact with the ideas presented in the reading assignments, ensur- ing that they come to class better prepared.

Just-in-Time Context Just-in-time context—encompassing biographical, historical, and social insights—is incorporated throughout, giving students a deeper understanding of what they read.

Interactive Readings and Exercises Students explore readings through interactive texts. Robust annotation tools allow students to take notes, and post-reading assignments let instructors monitor their students’ completion of readings before class begins.

Video and Rich Multimedia Content Videos, audio recordings, animations, and multimedia instruction provide context that enables students to engage with the text in a more meaningful way.

REVEl™ for Literature for Composition REVEl™ is Pearson’s newest way of delivering our respected content. Fully digital and highly engaging, REVEl™ offers an immersive learning experience designed for the way today’s students read, think, and learn. Enlivening course content with media interactives and assessments, REVEl™ empowers educators to increase engagement with the course and to connect better with students.

Visit www.pearsonhighered.com/revel for more information.

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E L E V E N T H E D I T I O N

Literature for Composition An Introduction to Literature

Sylvan Barnet Tufts University

William Burto University of Massachusetts at Lowell

William E. Cain Wellesley College

Cheryl L. Nixon University of Massachusetts at Boston

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This work is solely for the use of instructors and administrators for the purpose of teaching courses and assessing student learning. Unauthorized dissemination, publication or sale of the work, in whole or in part (including posting on the internet) will destroy the integrity of the work and is strictly prohibited.

Copyright © 2017, 2014, 2011 by Pearson Education, Inc.

All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise. For information regarding permissions, request forms and the appropriate contacts within the Pearson Education Global Rights & Permissions Department, please visit www.pearsoned.com/permissions/.

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Instructor’s Review Copy ISBN 10: 0-13-410177-4 Instructor’s Review Copy ISBN 13: 978-0-13-410177-4

Student Edition ISBN 10: 0-13-409914-1 Student Edition ISBN 13: 978-0-13-409914-9

A la Carte Edition ISBN 10: 0-13-431089-6 A la Carte Edition ISBN 13: 978-0-13-431089-3

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Names: Barnet, Sylvan, editor. | Burto, William, editor. | Cain, William E., date-editor. | Pearson, Cheryl L. Nixon, editor. Title: Literature for composition : an introduction to literature / [edited by] Sylvan Barnet, William Burto, William E. Cain, Cheryl L. Nixon Pearson. Description: Eleventh edition. | Boston : Pearson, 2016. | Previous editions had other title information: essays, stories, poems, and plays. | Includes bibliographical references and index. Identifiers: LCCN 2015048640| ISBN 9780134099149 (student edition) | ISBN 0134099141 (student edition) | ISBN 9780134101774 (exam copy) | ISBN 0134101774 (exam copy) Subjects: LCSH: College readers. | English language—Rhetoric—Problems, exercises, etc. | Criticism—Authorship—Problems, exercises, etc. | Academic writing—Problems, exercises, etc. Classification: LCC PE1417 .L633 2016 | DDC 808/.0427—dc23 LC record available at http://lccn.loc.gov/2015048640

Library of Congress Cataloging-in-Publication Data

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Contents

Contents by Genre xxiii Preface xxvii

P A R T I

Thinking Critically about Literature

C H A P T E R 1 How to Write an Effective Essay about Literature: A Crash Course 1

The Basic Strategy 1 Reading Closely: Approaching a First Draft 2

✔ Checklist: Generating Ideas for a Draft 5 Writing and Revising: Achieving a Readable Draft 6

✔ Checklist: Writing and Revising a Draft 9 Revising: Working with Peer Review 9 Preparing the Final Draft 10

C H A P T E R 2 How to Engage in Critical Thinking about Literature: A Crash Course 11

The Basic Strategy 11 What Is Critical Thinking? 12 How Do We Engage in Critical Thinking? 13 Close Reading 14

✔ Checklist: Close Reading 15 Analysis: Inquiry, Interpretation, Argument 15

Inquiry 16 ✔ Checklist: Inquiry and Question-Asking 17 Interpretation 18 ✔ Checklist: Interpretation 19 Argument 19 ✔ Checklist: Argument 20

Comparison and Synthesis 21 ✔ Checklist: Comparison and Synthesis 22

Revision and Self-Awareness 22 Standing Back: Kinds of Writing 23 Nonanalytical versus Analytical Writing 23

v

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vi Contents

C H A P T E R 3 The Writer as Reader 25 Reading and Responding 25

KATE CHOPIN • Ripe Figs 25 Reading as Re-creation 26 Reading for Understanding: Collecting Evidence and Making Reasonable

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