They say i say 4th edition introduction summary

what they’re saying about “they say / i say”

“Many students say that it is the first book they’ve found that actually helps them with writing in all disciplines.”

—Laura Sonderman, Marshall University

“A brilliant book. . . . It’s like a membership card in the aca- demic club.” —Eileen Seifert, DePaul University

“This book demystifies rhetorical moves, tricks of the trade that many students are unsure about. It’s reasonable, helpful, nicely written . . . and hey, it’s true. I would have found it immensely helpful myself in high school and college.”

—Mike Rose, University of California, Los Angeles

“The argument of this book is important—that there are ‘moves’ to academic writing . . . and that knowledge of them can be generative. The template format is a good way to teach and demystify the moves that matter. I like this book a lot.”

—David Bartholomae, University of Pittsburgh

“Students need to walk a fine line between their work and that of others, and this book helps them walk that line, providing specific methods and techniques for introducing, explaining, and integrating other voices with their own ideas.”

—Libby Miles, University of Vermont

“A beautifully lucid way to approach argument—different from any rhetoric I’ve ever seen.”

—Anne-Marie Thomas, Austin Community College, Riverside

“It offers students the formulas we, as academic writers, all carry in our heads.” —Karen Gardiner, University of Alabama

“The best tribute to ‘They Say / I Say’ I’ve heard is this, from a student: ‘This is one book I’m not selling back to the bookstore.’ Nods all around the room. The students love this book.”

—Christine Ross, Quinnipiac University

“What effect has ‘They Say’ had on my students’ writing? They are finally entering the Burkian Parlor of the university. This book uncovers the rhetorical conventions that transcend dis- ciplinary boundaries, so that even freshmen, newcomers to the academy, are immediately able to join in the conversation.”

—Margaret Weaver, Missouri State University

“It’s the anti-composition text: Fun, creative, humorous, bril- liant, effective.”

—Perry Cumbie, Durham Technical Community College

“This book explains in clear detail what skilled writers take for granted.” —John Hyman, American University

“The ability to engage with the thoughts of others is one of the most important skills taught in any college-level writing course, and this book does as good a job teaching that skill as any text I have ever encountered.” —William Smith, Weatherford College

“Students find this book tremendously helpful—they report that it has ‘demystified’ academic writing for them.”

—Karen Gocsik, University of California at San Diego

“I love ‘They Say / I Say,’ and more importantly, so do my students.” —Catherine Hayter, Saddleback College

“ ‘They Say / I Say’ reveals the language of academic writing in a way that students seem to understand and incorporate more easily than they do with other writing books. Instead of a list of don’ts, the book provides a catalog of do’s, which is always more effective.”

—Amy Lea Clemons, Francis Marion University

“This book makes the implicit rules of academic writing explicit for students. It’s the book I really wish I’d had when I was an undergraduate.”

—Steven Bailey, Central Michigan University

F O U R T H E D I T I O N

“THEY SAY I SAY” The Move s Tha t Ma t t e r

i n Academ i c Wr i t i n g

H

GERALD GRAFF

CATHY BIRKENSTEIN

both of the University of Illinois at Chicago

B w . w . n o r t o n & c o m p a n y

n e w y o r k | l o n d o n

For Aaron David

W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By mid-century, the two major pillars of Norton’s publishing program—trade books and college texts—were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees.

Copyright © 2018, 2017, 2014, 2010, 2009, 2006 by W. W. Norton & Company, Inc.

All rights reserved Printed in the United States of America

Permission to use copyrighted material is included in the credits section of this book, which begins on page 295.

ISBN 978-0-393-63167-8

W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110 wwnorton.com

W. W. Norton & Company Ltd., 15 Carlisle Street, London W1D 3BS

1 2 3 4 5 6 7 8 9 0

http://wwnorton.com

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contents

preface to the fourth edition ix

preface xiii Demystifying Academic Conversation

introduction 1 Entering the Conversation

PART 1 . “THEY SAY”

one “they say” 19 Starting with What Others Are Saying

two “her point is” 30 The Art of Summarizing

three “as he himself puts it” 43 The Art of Quoting

PART 2 . “ I SAY”

four “yes / no / okay, but” 53 Three Ways to Respond

five “and yet” 67 Distinguishing What You Say from What They Say

six “skeptics may object” 77 Planting a Naysayer in Your Text

seven “so what? who cares?” 91 Saying Why It Matters

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PART 3. T YING IT ALL TOGETHER

eight “as a result” 101 Connecting the Parts

nine “you mean i can just say it that way?” 117 Academic Writing Doesn’t Mean Setting Aside Your Own Voice

ten “but don’t get me wrong” 131 The Art of Metacommentary

eleven “he says contends” 141 Using the Templates to Revise

PART 4. IN SPECIFIC ACADEMIC CONTEXTS

twelve “i take your point” 162 Entering Class Discussions

thirteen don’t make them scroll up 166 Entering Online Conversations

fourteen what’s motivating this writer? 176 Reading for the Conversation

fifteen “on closer examination” 187 Entering Conversations about Literature

sixteen “the data suggest” 205 Writing in the Sciences

seventeen “analyze this” 224 Writing in the Social Sciences

C O N T E N T S

Contents

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r e a d i n g s 243

Don’t Blame the Eater 245 David Zinczenko

Hidden Intellectualism 248 Gerald Graff

“Rise of the Machines” Is Not a Likely Future 256 Michael Littman

The New Jim Crow: Mass Incarceration in the Age of Colorblindness 261 Michelle Alexander

Everything That Rises Must Converge 275 Flannery O’Connor

credits 295

acknowledgments 297

index of templates 309

i x

preface to the fourth edition

H

Since it was first published over a decade ago, this book has been dedicated to the idea that our own views are most thoughtfully formed in conversation with the views of others, including views that differ from our own. When students work with one of this book’s templates like “They say that , and I concede . But ,” they see their beliefs from another side and, in our view, are therefore able to produce more compelling arguments. As the twenty-first century unfolds, however, the increas- ingly polarized state of our society is making it harder to listen to those who see things differently than we do. The wider our divisions become, the harder it is to find anyone who is will- ing to seriously consider viewpoints that oppose their own. Too often we either avoid difficult discussions altogether, or we talk only with like-minded people, who often reinforce our pre-existing assumptions and insulate us from serious challenge. In this fourth edition of our book, therefore, we double down in a variety of ways on the importance of getting outside our isolated spheres and listening to others, even when we may not like what we hear.

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P R E FA C E T O T H E F O U R T H E D I T I O N

what’s new in the book

New materials in the introduction reinforce the importance of listening carefully to what others say (what “they say”) and summarizing it in a way that does it justice, treating our own ideas (what “I say”) not as uncontestable givens but as entries in a conversation or a debate in which participants may agree, agree up to a point, or disagree.

A new chapter on entering online conversations further underscores the importance of referencing what “they say” when responding to others on blogs, class discussion boards, and the like. In this chapter, which offers more practical advice on online writing than the more theoretical chapter it replaces, we argue that, while digital technologies have transformed class- rooms and connected writers in unprecedented ways, genuine conversation is all too rare. Too many online writers, instead of actually responding to others, end up talking past one another in discrete monologues that leave it unclear who or what has motivated them to write. This chapter suggests why online writ- ing may be especially prone to this problem and offers tech- niques for overcoming it.

A substantially revised chapter on academic language (now called “You Mean I Can Just Say It That Way?”) under- scores the need to bridge spheres that are too often kept sepa- rate: everyday language and academic writing. This chapter encourages students to draw on their everyday voices in their academic writing rather than set them aside. By translating academic claims into everyday language, we show, students are better able to clarify their ideas for readers and even for themselves.

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Preface to the Fourth Edition

Many new model examples—fifteen in all—from a wide range of authors, including Rebecca Goldstein, Deborah Tannen, Charles Murray, Nicholas Carr, and Michelle Alexander, among others, highlight the many different contexts for aca- demic conversations.

A substantially revised and updated chapter on writing in the social sciences reflects a broader range of writing assign- ments, with examples from academic publications in sociology, psychology, and political science.

New documented readings from two different fields—an essay by the computer scientist Michael Littman and a selec- tion from The New Jim Crow by the legal scholar Michelle Alexander—show how the rhetorical moves taught in this book work across disciplines.

Even as we have revised and added to “They Say / I Say,” our basic goals remain unchanged: to demystify academic reading and writing by identifying the key moves of persuasive argu- ment and representing those moves in forms that students can put into practice. We hope this fourth edition will get us even closer to these goals, equipping students with the writing skills they need to enter the academic world and beyond.

what’s online

Online tutorials give students hands-on practice recognizing and using the rhetorical moves taught in this book both as readers and writers. Each tutorial helps students read a full essay with an eye on these moves and then respond to a writing prompt using templates from the book.

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They Say / I Blog. Updated monthly, this blog provides up-to- the-minute readings on the issues covered in the book, along with questions that prompt students to literally join the con- versations. Check it out at theysayiblog.com.

Instructor’s Guide. Now available in print, the guide includes expanded in-class activities, sample syllabi, summaries of each chapter and reading, and a chapter on using the online resources, including They Say / I Blog.

Ebook. Searchable, portable, and interactive. The complete textbook for a fraction of the price. Students can interact with the text—take notes, bookmark, search, and highlight. The ebook can be viewed on—and synced between—all computers and mobile devices.

InQuizitive for Writers. Adaptive, game-like exercises help students practice editing, focusing especially on the errors that matter.

Coursepack. Norton resources you can add to your online, hybrid, or lecture course—all at no cost. Norton Coursepacks work within your existing learning management system; there’s no new system to learn, and access is free and easy. Customizable resources include assignable writing prompts from theysayiblog. com, quizzes on grammar and documentation, documentation guides, model student essays, and more.

Find it all at digital.wwnorton.com/theysay4 or contact your Norton representative for more information.

P R E FA C E T O T H E F O U R T H E D I T I O N

http://theysayiblog.com

http://theysayiblog.com

http://theysayiblog.com

http://digital.wwnorton.com/theysay4

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preface

Demystifying Academic Conversation

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Experienced writing instructors have long recognized that writing well means entering into conversation with others. Academic writing in particular calls upon writers not simply to express their own ideas, but to do so as a response to what others have said. The first-year writing program at our own university, according to its mission statement, asks “students to partici- pate in ongoing conversations about vitally important academic and public issues.” A similar statement by another program holds that “intellectual writing is almost always composed in response to others’ texts.” These statements echo the ideas of rhetorical theorists like Kenneth Burke, Mikhail Bakhtin, and Wayne Booth as well as recent composition scholars like David Bartholomae, John Bean, Patricia Bizzell, Irene Clark, Greg Colomb, Lisa Ede, Peter Elbow, Joseph Harris, Andrea Lunsford, Elaine Maimon, Gary Olson, Mike Rose, John Swales and Christine Feak, Tilly Warnock, and others who argue that writing well means engaging the voices of others and letting them in turn engage us. Yet despite this growing consensus that writing is a social, conversational act, helping student writers actually partici- pate in these conversations remains a formidable challenge. This book aims to meet that challenge. Its goal is to demys- tify academic writing by isolating its basic moves, explaining them clearly, and representing them in the form of templates.

P R E FA C E

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In this way, we hope to help students become active partici- pants in the important conversations of the academic world and the wider public sphere.

highlights

• Shows that writing well means entering a conversation, sum- marizing others (“they say”) to set up one’s own argument (“I say”).

• Demystifies academic writing, showing students “the moves that matter” in language they can readily apply.

• Provides user-friendly templates to help writers make those moves in their own writing.

• Shows that reading is a way of entering a conversation—not just of passively absorbing information but of understanding and actively entering dialogues and debates.

how this book came to be

The original idea for this book grew out of our shared inter- est in democratizing academic culture. First, it grew out of arguments that Gerald Graff has been making throughout his career that schools and colleges need to invite students into the conversations and debates that surround them. More spe- cifically, it is a practical, hands-on companion to his recent book Clueless in Academe: How Schooling Obscures the Life of the Mind, in which he looks at academic conversations from the perspective of those who find them mysterious and proposes ways in which such mystification can be overcome. Second,

Demystifying Academic Conversation

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this book grew out of writing templates that Cathy Birkenstein developed in the 1990s for use in writing and literature courses she was teaching. Many students, she found, could readily grasp what it meant to support a thesis with evidence, to entertain a counter argument, to identify a textual contradiction, and ultimately to summarize and respond to challenging arguments, but they often had trouble putting these concepts into practice in their own writing. When Cathy sketched out templates on the board, however, giving her students some of the language and patterns that these sophisticated moves require, their writing—and even their quality of thought—significantly improved. This book began, then, when we put our ideas together and realized that these templates might have the potential to open up and clarify academic conversation. We proceeded from the premise that all writers rely on certain stock formulas that they themselves didn’t invent—and that many of these formulas are so commonly used that they can be represented in model templates that students can use to structure and even generate what they want to say. As we developed a working draft of this book, we began using it in first-year writing courses that we teach at UIC. In class- room exercises and writing assignments, we found that students who otherwise struggled to organize their thoughts, or even to think of something to say, did much better when we provided them with templates like the following.