My brother's peculiar chicken moral lesson

Discussion Question Response

Question: Chapter 3 in Rosenstand’s The Moral of the Story deals with the issue of moral truth—what is the morally right thing to do in a particular situation and what are the correct principles or guidelines for a living a morally good life? Moral subjectivism is the view that moral propositions are true only relative to the particular beliefs of a particular person or subject of experience; ethical relativism is the view that what is good, right, and morally correct is true relative to a particular cultural tradition and set of behavioral practices; and moral absolutism (this is what Rosenstand calls “hard universalism” is the view that there are universal moral truths or principles that hold for everyone, everywhere, at all times and under any circumstances.

The most common viewpoint adopted by college students today is ethical relativism, and this is probably because it seems to be the most tolerant and fair-minded position, in that it respects diversity and individuality. However, Rosenstand points to a number of problems with ethical relativism. Where do you place yourself on this spectrum of moral stances? Are you a moral skeptic or a moral subjectivist? an ethical relativist? a moral absolutist? If you have never thought about this before, now is the time to do so. Explain why you hold the viewpoint you do, and defend that view from what might be seen as at least one major difficulty with adopting that ethical stance. Alice Walker's novel, Possessing the Secret of Joy (1992), presents a strong case against ethical relativism by denouncing the practice of female circumcision, or perhaps more accurately termed, female genital mutilation, a traditional practice of certain cultures that is seen as morally correct, as not only the right thing to do, but something that one is morally obligated to do. If you are an ethical relativist, you should be able to show why Walker is wrong for condemning this practice as morally wrong. If those who carry out the practice believe that it is the morally right thing to do, who is Walker, or who is anyone with different beliefs, to tell them they are wrong?

-read the Chapter 1,2,3, then answer the question above

-In the essay-style forums responses, you should express a point of view and support your view with good reasons, evidence, examples, expert opinion, etc.

The Moral of the Story

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For Craig and my parents

Immorality may be fun, but it isn’t fun enough to take the place of 100 percent virtue and three square meals a day.

— Noel Coward , Design for Living

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The Moral of the Story AN INTRODUCTION TO ETHICS

Seventh Edition

NINA ROSENSTAND

San Diego Mesa College

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THE MORAL OF THE STORY: AN INTRODUCTION TO ETHICS, SEVENTH EDITION

Published by McGraw-Hill, a business unit of The McGraw-Hill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright © 2013 by The McGraw-Hill Companies, Inc. All rights reserved. Printed in the United States of America. Previous editions © 2009, 2006, 2003, 2000, 1997 and 1994. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written consent of The McGraw-Hill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning.

Some ancillaries, including electronic and print components, may not be available to customers outside the United States.

This book is printed on acid-free paper.

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ISBN 978-0-07-803842-6 MHID 0-07-803842-1

Vice President & Editor-in-Chief: Michael Ryan Vice President & Director of Specialized Publishing: Janice M. Roerig-Blong Sponsoring Editor: Jessica Cannavo Marketing Manager: Angela R. FitzPatrick Senior Project Manager: Lisa A. Brufl odt Design Coordinator: Margarite Reynolds Cover Designer: Mary-Presley Adams Cover Image: Karen Barbour. Gouache on paper 22!30 inches. Photo Researcher: David A. Tietz/Editorial Image, LLC Buyer: Sue Culbertson Media Project Manager: Sridevi Palani Compositor: MPS Limited Typeface: 10/12 Times Roman Printer: R. R. Donnelley

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Library of Congress Cataloging-in-Publication Data

Rosenstand, Nina. The moral of the story : an introduction to ethics / Nina Rosenstand.—7th ed. p. cm. Includes bibliographical references and index. ISBN 978-0-07-803842-6 (alk. paper) 1. Ethics—Textbooks. I. Title. BJ1012.R59 2013 170—dc23 2012005695

www.mhhe.com

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v

Chapter 1 Thinking About Values 1 Do We Need a Code of Ethics? 1 Values, Morals, and Ethics 3 Good and Evil 7 Debating Moral Issues from Religion to

Neurobiology and Storytelling 14 Martha Nussbaum: Stories, Ethics, and

Emotions 24 A Philosophical Example, a Real-Life

Event, and Two Fictional Stories about Lying 27

PRIMARY READING: Martha Nussbaum, Love’s Knowledge 31

PRIMARY READING: Philip Zimbardo, The Lucifer Effect 33

NARRATIVE: Smoke Signals 36 NARRATIVE: Big Fish 39 NARRATIVE: East of Eden 43

Chapter 2 Learning Moral Lessons from

Stories 50 Didactic Stories 50 The New Interest in Stories Across the

Professions 51 The Value of Stories Across Time and

Space 54 Are Stories Harmful? A New and Ancient

Debate 88 PRIMARY READING: Plato, Republic, Book X 97 PRIMARY READING: Aristotle, Poetics 101 PRIMARY READING: Umberto Eco, The Name of

the Rose 103 PRIMARY READING: Raymond Chandler,

“The Simple Art of Murder” 105 NARRATIVE: Medea 107 NARRATIVE: The Sorrows of Young Werther 111 NARRATIVE: The Education of Mingo 112 NARRATIVE: Pulp Fiction 116

Contents

Preface x Acknowledgments xv

P A R T 1

The Story as a Tool of Ethics

P A R T 2

What Should I Do? Ethics of Conduct

Chapter 3 Ethical Relativism 119 How to Deal with Moral

Differences 119 The Lessons of Anthropology 124 Problems with Ethical Relativism 129 Refuting Ethical Relativism 139

James Rachels and Soft Universalism 141

Ethical Relativism and Multiculturalism 146

PRIMARY READING: Ruth Benedict, “Anthropology and the Abnormal” 151

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vi CONTENTS

PRIMARY READING: James Rachels, “Is Ethics Just a Matter of Social Conventions?” 154

PRIMARY READING: John Steinbeck, “Paradox and Dream” 158

NARRATIVE: The Poisonwood Bible 159 NARRATIVE: Possessing the Secret of Joy 165 NARRATIVE: Avatar 168

Chapter 4 Myself or Others? 171 Psychological Egoism: What About the

Heroes? 171 Psychological Egoism: From Glaucon to

Hobbes 174 Three Major Problems With Psychological

Egoism 183 The Selfish-Gene Theory and Its Critics 188 Ethical Egoism and Ayn Rand’s

Objectivism 192 Being Selfless: Levinas’s Ideal Altruism

Versus Singer’s Reciprocal Altruism 200 A Natural Fellow-Feeling? Hume and de

Waal 204 PRIMARY READING: Plato, The Republic 210 PRIMARY READING: Thomas Hobbes,

Leviathan 214 PRIMARY READING: Ayn Rand, “The Ethics of

Emergencies” 215 PRIMARY READING: Frans De Waal, Primates

and Philosophers: How Morality Evolved 218

NARRATIVE: Friends episode: “The One Where Phoebe Hates PBS” 220

NARRATIVE: Return to Paradise 223 NARRATIVE: Atlas Shrugged 226

Chapter 5 Using Your Reason, Part 1:

Utilitarianism 231 Jeremy Bentham and the Hedonistic

Calculus 232 Advantages and Problems of Sheer

Numbers: From Animal Welfare to the Question of Torture 241

John Stuart Mill: Higher and Lower Pleasures 247

Mill’s Harm Principle 254 Act and Rule Utilitarianism 260 PRIMARY READING: Jeremy Bentham, “Of the

Principle of Utility” 263 PRIMARY READING: John Stuart Mill,

Utilitarianism 265 PRIMARY READING: Peter Singer, “A Convenient

Truth” 268 NARRATIVE: “The Blacksmith and the

Baker” 271 NARRATIVE: The Brothers Karamazov 272 NARRATIVE: “The Ones Who Walk Away from

Omelas” 274 NARRATIVE: Extreme Measures 275 NARRATIVE: The Invention of Lying 278

Chapter 6 Using Your Reason, Part 2: Kant’s

Deontology 282 Consequences Don’t Count—Having a

Good Will Does 282 The Categorical Imperative 285 Rational Beings Are Ends in

Themselves 295 Beings Who Are Things 298 The Kingdom of Ends 302 PRIMARY READING: Immanuel Kant,

Grounding for the Metaphysics of Morals 304

PRIMARY READING: Immanuel Kant, The Metaphysics of Morals 305

NARRATIVE: High Noon 308 NARRATIVE: 3:10 to Yuma 310 NARRATIVE: Abandon Ship! 314 NARRATIVE: Match Point 316

Chapter 7 Personhood, Rights, and Justice 320 What Is a Human Being? 320 The Expansion of the Concept “ Human” 321 Personhood: The Key to Rights 321 Science and Moral Responsibility: Genetic

Engineering, Stem Cell Research, and Cloning 327

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CONTENTS vii

Questions of Rights and Equality 337 Distributive Justice: From Rawls to

Affirmative Action 348 Forward- and Backward-Looking Justice

and Affirmative Action 352 Criminal Justice: Restorative Versus

Retributive Justice 355 PRIMARY READING: The United Nations Universal

Declaration of Human Rights 363 PRIMARY READING: Jürgen Habermas, The

Future of Human Nature 366 PRIMARY READING: John Rawls, “Justice as

Fairness” 368

PRIMARY READING: Martin Luther King, Jr., “A Letter from Birmingham Jail” 371

PRIMARY READING: John Berteaux, “Defining Racism in the 21st Century” 373

PRIMARY READING: John Berteaux, “Unseen, Unheard, Unchosen” 375

NARRATIVE: The Island 376 NARRATIVE: Gattaca 380 NARRATIVE: Mississippi Burning 383 NARRATIVE: Hotel Rwanda 386

P A R T 3

How Should I Be? Virtue Ethics

Chapter 8 Virtue Ethics from Tribal Philosophy

to Socrates and Plato 391 What Is Virtue? What Is Character? 391 Non-Western Virtue Ethics: Africa and

Indigenous America 392 Virtue Ethics in the West 396 The Good Teacher: Socrates’ Legacy,

Plato’s Works 398 The Good Life 406 The Virtuous Person: The Tripartite

Soul 408 Plato’s Theory of Forms 412 Plato’s Influence on Christianity 417 PRIMARY READING: Plato, The Republic 418 PRIMARY READING: Plato, Apology 421 PRIMARY READING: Ronald Dworkin, What Is a

Good Life? 425 NARRATIVE: A Man for All Seasons 428 NARRATIVE: “The Myth of the Cave” 431 NARRATIVE: The Truman Show 434 NARRATIVE: The Store of the Worlds 437

Chapter 9 Aristotle’s Virtue Theory:

Everything in Moderation 440 Empirical Knowledge and the Realm of the

Senses 440

Aristotle the Scientist 441 Aristotle’s Virtue Theory: Teleology and the

Golden Mean 444 Aristotle’s Influence on Aquinas 459 Some Objections to Greek Virtue Theory 460 PRIMARY READING: Aristotle, Nicomachean

Ethics, Book II 463 PRIMARY READING: Aristotle, Nicomachean

Ethics, Book III 466 NARRATIVE: “The Flight of Icarus” 468 NARRATIVE: Njal’s Saga 470 NARRATIVE: Lord Jim 472 NARRATIVE: “A Piece of Advice” 474

Chapter 10 Contemporary Perspectives 477 Ethics and the Morality of Virtue as Political

Concepts 477 Have Virtue, and Then Go Ahead: Mayo,

Foot, and Sommers 481 The Quest for Authenticity: Kierkegaard,

Nietzsche, Heidegger, Sartre, and Levinas 490

PRIMARY READING: Søren Kierkegaard, J ohannes Climacus 519

PRIMARY READING: Søren Kierkegaard, Either∕Or 520

PRIMARY READING: Jean-Paul Sartre, “ Existentialism Is a Humanism” 521

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viii CONTENTS

Women’s Historical Role in the Public Sphere 613

The Rise of Modern Feminism 619 Classical, Difference, and Radical

Feminism 625 PRIMARY READING: Harriet Taylor Mill,

“Enfranchisement of Women” 642 PRIMARY READING: Simone De Beauvoir, The

Second Sex 645 PRIMARY READING: Carol Gilligan, In a Different

Voice 648 NARRATIVE: A Doll’s House 650 NARRATIVE: Maids of Misfortune 655 NARRATIVE: “The Woman Destroyed” 658 NARRATIVE: A Thousand Splendid Suns 661

Chapter 13 Applied Ethics: A Sampler 665 The Question of Abortion and

Personhood 665 Euthanasia as a Right to Choose? 668 Media Ethics and Media Bias 671 Business Ethics: The Rules of the Game 681 Just War Theory 688 Animal Welfare and Animal Rights 694 Ethics of the Environment: Think Globally,

Act Locally 701 The Death Penalty 707 The Ethics of Self-Improvement: Narrative

Identity 716 A Final Word 724 PRIMARY READING: Andrew Belsey and Ruth

Chadwick, “Ethics as a Vehicle for Media Quality” 726

PRIMARY READING: Amber Levanon Seligson and Laurie Choi, “Critical Elements of an Organizational Ethical Culture” 728

PRIMARY READING: Scott Gottlieb, “How Safe Is Our Food? FDA Could Do Better” 729

PRIMARY READING: John Rawls, The Law of Peoples 731

PRIMARY READING: Great Ape Project, “The Declaration on Great Apes” 734

PRIMARY READING: Lee Hall and Anthony Jon Waters, “From Property to Person: The Case of Evelyn Hart” 735

PRIMARY READING: “The Paradox of Morality: An Interview with Emmanuel Levinas” 523

PRIMARY READING: Dwight Furrow, A Culture of Care 526

NARRATIVE: Groundhog Day 529 NARRATIVE: No Exit 531 NARRATIVE: Good Will Hunting 533 NARRATIVE: The Searchers 537

Chapter 11 Case Studies in Virtue 541 Courage of the Physical and Moral

Kind 541 Compassion: From Hume to Huck

Finn 549 Gratitude: Asian Tradition and Western

Modernity 559 Virtue and Conduct: The Option of Soft

Universalism 575 Diversity, Politics, and Common

Ground? 578 PRIMARY READING: John McCain, Why Courage

Matters: The Way to a Braver Life 581 PRIMARY READING: Philip Hallie, Tales of Good

and Evil, Help and Harm 584 PRIMARY READING: Jesse Prinz, Is Empathy

Necessary for Morality? 585 PRIMARY READING: Lin Yutang, “On Growing

Old Gracefully” 589 NARRATIVE: Courage: Band of Brothers, Third

Episode, “Carentan” 590 NARRATIVE: Courage: True Grit 592 NARRATIVE: Compassion: “The Parable of the

Good Samaritan” 596 NARRATIVE: Compassion: Schindler’s List 598 NARRATIVE: Gratitude: Eat Drink Man

Woman 601 NARRATIVE: Gratitude: Pay It Forward 604

Chapter 12 Different Gender, Different

Ethics? 608 Feminism and Virtue Theory 608 What Is Gender Equality? 610

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CONTENTS ix

NARRATIVE: Business Ethics: The Insider 750 NARRATIVE: Business Ethics ∕ Environmental

Ethics: Cold Wind 753 NARRATIVE: The Death Penalty: “The Jigsaw

Man” 756 NARRATIVE: The Death Penalty: The Life of

David Gale 758

Credits C-1 Bibliography B-1 Glossary G-1 Index I-1

PRIMARY READING: Severin Carrell, “Al Gore: Clear Proof That Climate Change Causes Extreme Weather” 737

PRIMARY READING: Myles Allen, “Al Gore is Doing a Disservice to Science by Overplaying the Link Between Climate Change and Weather” 739

PRIMARY READING: Tom Sorell, “Two Ideals and the Death Penalty” 741

PRIMARY READING: Mark Fuhrman, Death and Justice: An Exposé of Oklahoma’s Death Row Machine 744

NARRATIVE: Media Ethics ∕ Business Ethics: State of Play 748

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Preface

L ike the previous editions of The Moral of the Story, the seventh edition is a combi- nation of classical questions in ethical theory and contemporary issues. The general concept remains the same: that discussions about moral issues can be facilitated using stories as examples, as a form of ethics lab where solutions can be tried out under controlled conditions. The book is written primarily for such college courses as Introduction to Ethics; Moral Philosophy; and Introduction to Philosophy: Val- ues. Many textbooks in value theory or ethics choose to focus on problems of social importance, such as abortion, euthanasia, and capital punishment. This book reflects my own teaching experience that it is better for students to be introduced to basic ethical theory before they are plunged into discussions involving moral judgments. Consequently, The Moral of the Story provides an overview of influential classical and contemporary approaches to ethical theory. However, without practical application of the theories, there can be no complete understanding of the problems raised, so each chapter includes examples that illustrate and explore the issues. As in previ- ous editions, each chapter concludes with a section of examples—summaries and excerpts—taken from the world of fiction, novels and films in particular. Within the last few decades, narrative theory has carved out a niche in American and European philosophy as well as in other academic disciplines. It is no longer un- usual for ethicists and other thinkers to include works of fiction in their courses as well as in their professional papers, not only as examples of problem solving, but also as illustrations of an epistemological phenomenon: Humans are, in Alasdair MacIntyre’s words, storytelling animals, and we humans seem to choose the narrative form as our favorite way to structure meaning as we attempt to make sense of our reality. The narrative trend is making itself felt in other fields as well: The medical profession is looking to stories that teach about doctor-patient relationships; psychotherapists rec- ommend that patients watch films to achieve an understanding of their own situation, and have patients write stories with themselves as the lead character. The court system is making use of films and novels to reach young people in trouble with the law. The U.S. military is partnering up with authors to anticipate possible scenarios for future assaults on American interests. NASA is teaming up with science fiction writers in an attempt to once again make space exploration exciting for new generations of readers. And neuroscientists tell us that we understand the world by superimposing narra- tive order on the chaos we experience. It seems that new fields are constantly being added to the list of professions that are discovering, or rediscovering, the potential of stories.

x

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Organization

Like the previous editions, the seventh edition of The Moral of the Story is divided into three major sections. Part 1 introduces the topic of ethics and places the phenomenon of storytelling within the context of moral education and discussion. Part 2 examines the conduct theories of ethical relativism, psychological and ethical egoism, altruism, utilitarianism, and Kantian deontology, and explores the concepts of personhood, rights, and justice. Part 3 focuses on the subject of virtue theory and contains chapters on Socrates and Plato, Aristotle, contemporary virtue theories in America, theories of authenticity in the Continental tradition, and gender theory. The virtues of courage, compassion, and gratitude are examined in detail, and the book concludes with a more detailed discussion of a broad selection of moral issues, applying theories introduced in previous chapters. Each chapter concludes with a set of study questions, a section of Primary Readings with excerpts from classical and contemporary texts, and a section of Narratives, a collection of stories that illustrate the moral issues raised in the chapter. The Primary Readings are selected for their value as discussion topics; they don’t necessarily reflect my own views, and I have made no attempt to select readings that cover all possible angles, because of space limitations. The Narratives will be described in more detail below.

Major Changes to the Seventh Edition

Major changes to the seventh edition include the following: Chapter One has been thoroughly revised, with a new introduction, “Do We Need a Code of Ethics?” invit- ing students to evaluate Montana’s 2011 decision to adopt a “Code of the West.” In addition, it expands on the theory that morality can be “hard-wired,” and discusses the momentum naturalism is gaining in today’s moral philosophy. A new box in- troduces Philippa Foot’s famous thought experiment, the “Trolley Problem”. The section “Good and Evil” has been updated and expanded to examine acts of good- will in the most current of events including the Japanese earthquake, the Ft. Hood shootings, and the Chilean mine collapse. Finally, Chapter One takes a deeper look at Martha Nussbaum’s impact on contemporary moral philosophy, especially her theory that well-written fictional stories can provide a better medium for examining moral issues than philosophical examples or actual events. Chapter Two has been updated with current examples of films and television shows illustrating moral problems, including Dexter and NCIS . Chapter Three has two new boxes, “The Adversarial Method,” which examines the traditional philosophical argumentative approach, and introduces Paul Ricoeur’s alternative approach, and “The Intersection of Moral and Legal Issues” which exam- ines whether a nation’s laws are reflective of universal values of its people or more indicative of a time and place in history—a section revised and moved from the sixth edition’s Chapter One. The chapter has a new Primary Reading, James Rachels’ “Is Ethics Just a Matter of Social Conventions?” A new Narrative, a summary of the film Avatar, encourages a discussion of fundamental cultural differences, seen through the theories of ethical relativism, hard universalism, soft universalism, and moral nihilism.

PREFACE xi

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xii PREFACE

Chapter Four expands upon the concept of “heroes” to explore the actions of the Ft. Hood army civilian police officers who reacted in the 2010 on-base shooting, as well as the workers who elected to stay and cool the Fukushima reactors. In addition, it has a new section on Ayn Rand’s Objectivism, in response to reviewer suggestions. In the Narratives section Rand’s Atlas Shrugged excerpt has been expanded with the introduction to “John Galt’s Speech.” Chapter Five has an expanded discussion of the happiness phenomenon and recent happiness studies, as well as an updated discussion about torture seen from a utilitarian perspective. In the Narratives section, the issues of lying and deceit are explored through Ricky Gervais’ film The Invention of Lying . Chapter Six has a story reinstated to the Narratives section from previous edi- tions, a favorite among reviewers, the film Abandon Ship . In Chapter Seven an updated box examines serial killers who hunt for victims living on the fringes of society as prostitutes and drug users, and the notion that such victims who break the law still have a right to live. In the chapter text, Jürgen Habermas’s critique of genetic enhancement has been added, and an excerpt from his book The Future of Human Nature appears in the Primary Readings. The topics of cognitive and moral enhancement have been added to the discussion. Two new boxes have been added, “A Right to Privacy?” about the new social media, and “An Alternative to Jus- tice Ethics” about the ethic of care. Chapter Eight now includes a discussion of “The Good Life” as presented by Ronald Dworkin, as well as an excerpt from his article, “What Is a Good Life” in the Primary Readings. The Narratives section now has a story from previous editions reinstated, “The Store of the Worlds,” by reviewer request. There are no major changes to Chapter 9, but Chapter Ten has a new section on Friedrich Nietzsche, as a result of repeated reviewer and reader requests. The section includes two new boxes, “Elisabeth Nietzsche and the Nazi Connection,” and “Without God, Is Everything Permitted?” In addition, the chapter has a new box featuring “The New Ethic of Care, a Political Vision,” about the theory developed by Dwight Furrow and Mark Wheeler, with an excerpt in the Primary Readings from Furrow’s Reviving the Left . And finally, the Narratives section now includes the film classic Groundhog Day , as an exploration of Nietzsche’s concept of the eternal return of the same. Chapter Eleven includes a new box, “When Empathy is Absent: Welcome to Cyberspace?” which examines how the absence of eye contact in the world of Inter- net social networks and other communication may have hampered our ability to feel compassion for others. In addition, it includes a new reading, “Is Empathy Neces- sary for Morality?” by Jesse Prinz, which investigates whether we require empathy in order to make sound ethical decisions. The Narratives now include a summary of the Cohen Brothers’ production True Grit, which discusses the plot’s focus on moral as well as physical courage. In Chapter Twelve , a new box, “Can a Conservative be a Feminist” examines whether contemporary female political figures and commentators such as Sarah Palin, Michelle Bachman, and Ann Coulter represent a form of feminism or, conversely, a throw-back to male-dominated politics. Also, the chapter has two new Narratives, an excerpt from the Victorian mystery Maids of Misfortune by historian M. Louisa Locke,

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PREFACE xiii

and a summary of Khaled Hosseini’s novel from present-day Afghanistan, A Thousand Splendid Suns. Chapter Thirteen has several thoroughly revised sections, including boxes on “Some Religious Views on Fetal Personhood,” and “Social Media and Ethics.” In the Media Ethics section the British News of the World scandal has been added, as well as a mention of the WikiLeaks phenomenon. The Death Penalty section has been updated with recent facts, including the execution of Troy Davis. And the Narratives section has a new excerpt from C.J. Box’s mystery novel Cold Wind , as an illustration of issues in both Business Ethics and Environmental Ethics, as well as a summary of the film State of Play, illustrating Media Ethics as well as Business Ethics.

Using the Narratives

The Narratives have been chosen from a wide variety of sources ranging from epic prose, poems, and novels to films. I wish to emphasize that from a literary and ar- tistic point of view, summaries and excerpts do not do the originals justice; a story worth experiencing, be it a novel, short story, or film, can’t be reduced to a mere plot outline or fragment and still retain all of its essence. As Martha Nussbaum says, the form is an inherent part of the story content. Usually, there is more to the story than the bare bones of a moral problem, and in writing these summaries I have had to dis- regard much of the richness of story and character development. Nevertheless, I have chosen the summary or excerpt format in order to discuss a number of different sto- ries and genres as they relate to specific issues in ethics. Because I believe it is impor- tant to show that there is a cross-cultural, historic tradition of exploring moral prob- lems through telling a story, I have opted for a broad selection of Narratives. Each chapter has several Narratives, but it is not my intention that the instructor should feel obligated to cover all of them in one course; rather, they should be regarded as options that can be alternated from semester to semester—a method I like to use my- self for the sake of variety. There are, of course, other ways than summaries in which stories and ethical theory can be brought together; one might, for instance, select one or two short stories or films in their original format for class discussion. I hope that instructors will indeed select a few stories—novels, short stories, or films—for their classes to experience firsthand. However, the Narratives are written so that firsthand experience should not be necessary to a discussion of the problem presented by the story. The summaries and excerpts give readers just enough information to en- able them to discuss the moral problem presented. I hope that some readers will become inspired to seek out the originals on their own. In most cases the ending is important to the moral significance of a story, and whenever that is the case, I in- clude that ending. In cases where the ending is not significant to the moral drama, I have done my best to avoid giving it away because I don’t want to be a spoiler. Because space is limited, I have not been able to include more than a sampling of stories, and I readily admit that my choices are subjective ones; I personally find them interesting as illustrations and effective in a classroom context where students come from many different cultural backgrounds. Because I am a naturalized U.S. citi- zen, originally a native of Denmark, I have chosen to include a few references to the

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xiv PREFACE

Scandinavian literary tradition. I am fully aware that others might choose other stories or even choose different ethical problems to illustrate, and I am grateful to the many users of the previous six editions, instructors as well as students, who have let me know about their favorite stories and how they thought this selection of stories might be expanded and improved. The new Narratives reflect some of those suggestions. Some students (and instructors) may be disappointed that this edition has no narratives from graphic novels. That is not because I find graphic novels to be any less suitable for exploring moral issues than films and novels—I just don’t have much experience with them, and I am considering including a few graphic novels in my ethics classes; if the experiment is successful, a future edition may contain such stories. However, one area which I have decided against including at this point is video games. I hear from my students that video games are increasingly focused on elaborate narratives rather than merely accumulating points and killing enemy enti- ties, and I can imagine that at some point, video game narratives may offer interesting ways of experiencing moral problems and decision-making, even involving scenarios of emotional and ethical complexity. However, judging from my research into current games, that level of complexity is not yet present in most games. I would be interested to hear from readers with another perspective on video games, and would welcome examples of games with plots involving moral complexity. As was the case with previous revisions, I have had to make some difficult choices, similar to choices made in the sixth edition: To keep the cost of the book down, I have had to cut materials from previous editions to make room for new readings, updates, and narratives. This is never easy, because many of the older readings and stories are favorites of mine, and I am well aware that they may also be the favorites of instructors using this book, and important elements in well-functioning syllabi. Fortunately, in this electronic age we can include new materials without losing all of the older elements. A website has been established by McGraw-Hill (www.mhhe .com/rosenstand7e) that includes a number of narratives from previous editions, such as Dead Man Walking, Do the Right Thing, Thelma and Louise, and The Count of Monte Cristo, for easy access and downloading by instructors. As in previous edi- tions, I emphasize that I wholeheartedly welcome e-mails from students as well as instructors who use this book, with relevant comments and suggestions for new stories as well as additional philosophical perspectives: nrosenst@sdccd.edu.

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Acknowledgments

A s always, I first want to thank my students in the classes Introduction to Philosophy: Values, Philosophy of Women, Issues in Social Philosophy, Reflections on Human Nature, Human Nature and Society, and Philosophy and Literature for their enthusiastic cooperation in suggesting good stories and discussing drafts of the stories and study questions with me—an invaluable help in fine-tuning the summaries and questions. Next, I would like to thank the Project Team at McGraw-Hill Higher Educa- tion for good communication and support: Sponsoring Editor Jessica Cannavo; Developmental Editor Nicole Bridges; Senior Project Manager Lisa A. Bruflodt; Marketing Manager Angela R. FitzPatrick, Permissions Editor Wesley Hall, Photo Researcher David A. Tietz, and Project Manager for MPS Ldt. Vivek Khandelwal. The cover painting is by artist Karen Barbour, and I am delighted that her evoca- tive visions have represented The Moral of the Story through seven editions. I also wish to thank the following reviewers, and one anonymous reviewer, for their suggestions:

Tamela Ice, Kansas City Community College

Jon Inglett, Oklahoma City Community College

Alice Independence Kyburg, University of Wisconsin-Oshkosh

Joy Branch, Southern Union State Community College

Russell H. Swanson, Edison State College

My colleagues at the Social Sciences and Behavioral and Multicultural Studies Department at San Diego Mesa College, which includes professors, adjuncts, and professors emeritus of philosophy, history, political science, and geography, are a wonderful support group—many of us come from different professional fields and have different outlooks on many things, but we all cherish the ambience of profes- sional integrity in our workplace and find time to discuss ethics-related issues on a regular basis: Thank you to my colleagues from the Social Sciences Department as well as other departments: In particular I wish to thank Department Chair Jonathan McLeod, Donald Abbott, Ken Berger, Michael Kuttnauer, Richard Hammes, Dean Charles Zappia, Terry Valverde, and Melinda Campbell. In addition, I would like to express my appreciation to Michael Mussachia, Josef Binter, and Arelene Wolinski for sharing their research—including informative articles—with me, and to Tony