In many ways the case of Zhang Ailing embodies the complexities and historical twists of a national literature finding its place in a global community—in this case, the literature of a nation with an immense, intellectually vibrant diaspora. Often acclaimed as the best Chinese writer of the mid-twentieth century, Zhang Ailing was recovered from a period of obscurity by a Chinese professor at Yale University. Zhang’s fame then spread to Taiwan and Hong Kong, and at last to China itself. Although the literary work on which her fame rests was written in China and Hong Kong, Zhang Ailing herself lived more than half her life in the United States, and her best-known novel, The Rice-Sprout Song, from her second residence in Hong Kong, was written first in English and then rewritten in Chinese.
Zhang Ailing was born in Shanghai into an old family of imperial officialdom, with an irascible, opium-smoking father and a mother who left to study in France when Zhang Ailing was a child; thus the girl’s family background combined the decadence and fierce independence of spirit of the Shanghai elite in the 1920s and 1930s. After her parents divorced, Zhang was mistreated by her father and fled his house to live with her mother. When the war in China broke out (1941), she left Shanghai to study at the University of Hong Kong; but after the fall of Hong Kong to the Japanese, Zhang returned to Shanghai, where, under Japanese occupation, she wrote her most famous shorter works. Her marriage, albeit brief, to the collaborator Hu Lancheng and her passive acceptance of Japanese rule made her suspect after the war, and her family background placed her in an even more uncomfortable position when the Communists took Shanghai and the People’s Republic of China was established. In 1952 Zhang went again to Hong Kong, where she put her talent at the service of the anti-Communist passions of the era. There she wrote two novels, both critical of the People’s Republic: The Rice-Sprout Song, which enjoyed a modest success, and Naked Earth, which did not. In 1955 she left for the United States. After remarriage and the death of her second husband, Zhang went to Berkeley as a researcher and at last to Los Angeles, where she lived her last days in bleak austerity.